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	<id>http://www.openmusicarchive.org/projects/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=81.152.52.161</id>
	<title>Open Music Archive Projects - User contributions [en]</title>
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	<updated>2026-10-06T05:12:29Z</updated>
	<subtitle>User contributions</subtitle>
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		<id>http://www.openmusicarchive.org/projects/index.php?title=Main_Page&amp;diff=1794</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="http://www.openmusicarchive.org/projects/index.php?title=Main_Page&amp;diff=1794"/>
		<updated>2006-09-03T12:47:30Z</updated>

		<summary type="html">&lt;p&gt;81.152.52.161: &lt;/p&gt;
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&lt;div&gt;'''[http://www.openmusicarchive.org Open Music Archive]''' initiated by artists Eileen Simpson &amp;amp; Ben White, is a collaborative project to source, digitise, and distribute out of copyright music recordings. &lt;br /&gt;
&lt;br /&gt;
'''Open Music Archive Projects''' is a forum for projects using material from the archive. Use this wiki to [[Feedback%2C_suggestions_and_project_ideas | post feedback, suggestions or project ideas]].&lt;br /&gt;
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==British Art Show Symposium Bristol - Live Event==&lt;br /&gt;
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[[Image:Spikeisland.jpg|left|300px]]&lt;br /&gt;
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Screening of '''Broadcast Times''', '''Screen Tests''',  and '''Dragline''' with live musical accompaniment by Ben White. The music, which has been sourced from out-of-copyright early 20th Century 78rpm records will be manipulated in real-time using samplers and DJ turntables.&lt;br /&gt;
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'''Friday 15 September, 7:30 pm'''&lt;br /&gt;
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[http://www.spikeisland.org.uk Spike Island at A Bond]&amp;lt;br&amp;gt;&lt;br /&gt;
Smeaton Road, Cumberland Basin&amp;lt;br&amp;gt;&lt;br /&gt;
Bristol BS1 6EE&amp;lt;br&amp;gt;&lt;br /&gt;
More info: 0117 929 2266&amp;lt;br&amp;gt;&lt;br /&gt;
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The A Bond building is approximately&lt;br /&gt;
10 minutes walk from Spike Island&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.situations.org.uk/projects_britishartshow_symposium.htm Part of British Art Show Symposium: Curating Post-Nation Rethinking the Survey Exhibition for the Biennial Age]&amp;lt;br&amp;gt;&lt;br /&gt;
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==Futuresonic 2006==&lt;br /&gt;
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[[Image:Hydraulic control.jpg|left|300px]]&lt;br /&gt;
[[Image:futuresonic logo.jpg|left|300px]]&lt;br /&gt;
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'''Leverage''', a new project for [http://www.futuresonic.com Futuresonic 2006], centres around the creation of copyleft licensed 12 inch vinyl records containing a range of samples, beats and extracts from the archive in a format referencing scratch tools, breaks compilations and battle records. [[Futuresonic_2006 | Read more . . .]]&lt;br /&gt;
&lt;br /&gt;
Sample Leverage at [http://10.futuresonic.com/urban_play/instrument/ Instrument], an exhibition of artist-made instruments, noise-generators, audio-visual manipulators, and head twisters by sound artists and noise-makers.&amp;lt;br&amp;gt;&lt;br /&gt;
'''20-29 July at 1830 Warehouse, Museum of Science and Industry, Manchester''' &lt;br /&gt;
&lt;br /&gt;
'''Friday 21 July 11am'''&amp;lt;br&amp;gt;&lt;br /&gt;
Eileen Simpson &amp;amp; Ben White talk about Leverage and the Open Music Archive project.&amp;lt;br&amp;gt;&lt;br /&gt;
'''1830 Warehouse, Museum of Science and Industry, Manchester'''&amp;lt;br&amp;gt;&lt;br /&gt;
[http://10.futuresonic.com/urban_play/artist_talks_and_performances/ More info]&lt;br /&gt;
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''Futuresonic 2006 runs from 20 - 22nd July at various venues around Manchester''&lt;br /&gt;
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==Broadcast Times: British Art Show Bristol==&lt;br /&gt;
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'''Broadcast Times: The Birth of Westward''' - a film by Neil Cummings, Marysia Lewandowska, Eileen Simpson, and Ben White - is showing as part of the British Art Show Bristol.&lt;br /&gt;
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As the exhibition train leaves the platform, we are taken on a documentary journey of “a happy hunting ground for tycoons” the birth of commercial television broadcasting.&lt;br /&gt;
&lt;br /&gt;
'''15th July - 17 September 2006'''&lt;br /&gt;
&lt;br /&gt;
[http://www.spikeisland.org.uk Spike Island at A Bond]&amp;lt;br&amp;gt;&lt;br /&gt;
Smeaton Road, Cumberland Basin&amp;lt;br&amp;gt;&lt;br /&gt;
Bristol BS1 6EE&amp;lt;br&amp;gt;&lt;br /&gt;
More info: 0117 929 2266&lt;br /&gt;
&lt;br /&gt;
[http://www.hayward.org.uk/britishartshow6/ British Art Show website]&lt;br /&gt;
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==Screen Tests @ Canal==&lt;br /&gt;
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An evening of short films and a party to celebrate the opening of:&lt;br /&gt;
&lt;br /&gt;
'''[http://www.canalonvyner.org/ Canal]''' 29 Vyner St, London E2 9QD&lt;br /&gt;
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Friday 2 June 2006&amp;lt;br&amp;gt;&lt;br /&gt;
Screenings from 8.30pm&lt;br /&gt;
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'''The Light Fantastic''' - Ken Russell, 1960&lt;br /&gt;
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'''Behive''' - Jim Self and Frank Moore, 1985&lt;br /&gt;
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'''Screen Tests''' - Neil Cummings, Marysia Lewandowska, Eileen Simpson, Ben White, 2005&lt;br /&gt;
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Party to follow&lt;br /&gt;
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Canal is a temporary project room and studio run by Matthew Darbyshire, Anna Colin, Sarah McCrory, Olivia Plender, Melissa Franklin, Djordje Ozbolt and Celine Condorelli.&lt;br /&gt;
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==Screen Tests DVD==&lt;br /&gt;
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A project in collaboration with [http://www.chanceprojects.com Neil Cummings &amp;amp; Marysia Lewandowska] that evolved from British Art Show 6.&lt;br /&gt;
&lt;br /&gt;
The Free DVD was launched at the [http://www.tate.org.uk/modern/eventseducation/symposia/anticipatingthepastartistsarchivefilm5202.htm Anticipating the Past: Artist: Archive: Film] conference on the 12th-13th May, at Tate Modern.&lt;br /&gt;
&lt;br /&gt;
The DVD includes three new films -  edited from archive film material, with a soundtrack made from out-of-copyright records - along with the original material and source files. The material is released under a [http://creativecommons.org/licenses/by-sa/2.5/ Creative Commons license], enabling anyone to use and re-use Screen Tests for future creative exchange.&lt;br /&gt;
&lt;br /&gt;
'''Screen Tests 1/4 Screen Tests'''&amp;lt;br&amp;gt;&lt;br /&gt;
The film unfolds as a series of Andy Warhol-like screen tests, slowly revealing the location and the occupation of those before the camera - students and models from the Manchester School of Art.&lt;br /&gt;
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'''Screen Tests 2/4 Dragline'''&amp;lt;br&amp;gt;&lt;br /&gt;
Dragline stumbles across an autonomous event, and echoing 1970’s structuralist film, returns the default setting of contemporary digital practice - sampling and looping - to its industrial roots.&lt;br /&gt;
&lt;br /&gt;
'''Screen Tests 3/4 Broadcast Times: The Birth of Westward'''&amp;lt;br&amp;gt;&lt;br /&gt;
As the exhibition train leaves the platform, we are taken on a documentary journey of “a happy hunting ground for tycoons” the birth of commercial television broadcasting.&lt;br /&gt;
&lt;br /&gt;
'''Screen Tests 4/4'''&amp;lt;br&amp;gt;&lt;br /&gt;
The Northern Region Film and Television Archive, based in Newcastle did not respond to several attempts at contact, eventually we spoke over the telephone and they declined any involvement.&lt;br /&gt;
&lt;br /&gt;
[http://www.artscouncil.org.uk/ Arts Council England] funded the production of this DVD through Grants for the arts.&lt;br /&gt;
&lt;br /&gt;
'''If you would like a copy of the Screen Tests DVD email info@openmusicarchive.org'''&lt;br /&gt;
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==Dragline: British Art Show Nottingham==&lt;br /&gt;
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'''Dragline''' and '''Screen Tests''' are showing at [http://www.angelrowgallery.com/ Angel Row Gallery] as part of British Art Show 6, Nottingham (21st April - 25th June)&lt;br /&gt;
&lt;br /&gt;
Angel Row Gallery&amp;lt;br&amp;gt;&lt;br /&gt;
Central Library Building&amp;lt;br&amp;gt;3 Angel Row&amp;lt;br&amp;gt;&lt;br /&gt;
Nottingham&amp;lt;br&amp;gt;NG1 6HP&lt;br /&gt;
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Catch a live performance of Screen Tests in Nottingham at 7.30pm on 19th May at Powerhouse, Victoria Studios (part of the Nottingham Trent buildings)&lt;br /&gt;
&lt;br /&gt;
[http://www2.ntu.ac.uk/ntsad/bonington/bas6_10.shtml more details]&lt;br /&gt;
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==Dragline @ Swiss Institute NY==&lt;br /&gt;
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Preview of our new film '''Dragline''' - remixed archive material, with a soundtrack made from out-of-copyright records, produced in collaboration with [http://www.chanceprojects.com Chance Projects] showing at:&lt;br /&gt;
&lt;br /&gt;
[http://www.swissinstitute.net Swiss Institute] 495 Broadway, 3rd Floor, New York, NY 10012&lt;br /&gt;
&lt;br /&gt;
Thursday March 23, 7pm&lt;br /&gt;
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==Open Music Archive presents an Evening of Free Music and Films==&lt;br /&gt;
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[[Image:Flyer stamp.jpg|left|450px]]&lt;br /&gt;
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[[My_Goodniss|Archive playlists, remix samples, and photos]]&lt;br /&gt;
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==British Art Show 6, Manchester  (28th Jan -2nd April 2006) ==&lt;br /&gt;
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We were invited by artists [http://www.chanceprojects.com Neil Cummings &amp;amp; Marysia Lewandowska] to collaborate on Screen Tests for the British Art Show 6 in Manchester. Screen Tests is a film composed entirely of material found and released from the North West Film Archive. The ten minute film is accompanied by a sound track made from out-of-copyright recordings. These source recordings are available in the Open Music Archive to download:&lt;br /&gt;
&lt;br /&gt;
[http://www.openmusicarchive.org/audio/Grandmas_Ball.mp3]&lt;br /&gt;
[http://www.openmusicarchive.org/audio/Intro_And_Tarantelle.mp3]&lt;br /&gt;
[http://www.openmusicarchive.org/audio/O_Patria_Mia_From_Aida.mp3]&lt;br /&gt;
[http://www.openmusicarchive.org/audio/Oi_ya_nestchastay.mp3]&lt;br /&gt;
[http://www.openmusicarchive.org/audio/Umbrellas_To_Mend.mp3]&lt;br /&gt;
&lt;br /&gt;
See '''Screen Tests''' at [http://www.urbis.org.uk Urbis] until 2nd April 2006&lt;br /&gt;
&lt;br /&gt;
On 18th February (6-8pm) at [http://www.whitworth.manchester.ac.uk The Whitworth Art Gallery] a DJ remix of Screen Tests was performed live by Ben White.&lt;br /&gt;
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==OMA @ Open Congress, Tate Britain==&lt;br /&gt;
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Open Music Archive presented at Open Congress (Tate Britain 7th-8th October 2005) &lt;br /&gt;
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[http://opencongress.omweb.org Open Congress] was Inspired by Free Software: software that challenges conventional practices of authorship, ownership and distribution. The innovative congress explored these implications for art, visual culture and cultural production in general. &lt;br /&gt;
&lt;br /&gt;
For Open Congress, Open Music Archive presented a DJ set of music made entirely of samples of out-of-copyright music recordings, mainly sourced from 1920s 78rpm records. An accompanying [[Open Congress slideshow images | slideshow]] uncovered the process of tracking this material.&lt;br /&gt;
&lt;br /&gt;
[[Open Congress performance images]]&lt;br /&gt;
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[http://www.tate.org.uk/onlineevents/archive/open_congress/sound.htm Tate Online Events Archive (video of the performance)]&lt;br /&gt;
&lt;br /&gt;
Listen to an excerpt of the live performance: [http://www.openmusicarchive.org/projects/audio/Open_Congress_excerpt.mp3 MP3 (5.3MB)] | [http://www.openmusicarchive.org/projects/audio/Open_Congress_excerpt.ogg Ogg Vorbis (3.7MB)]&lt;br /&gt;
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==DJ Performance of Screen Tests, BALTIC Centre for Contemporary Art== &lt;br /&gt;
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Ben performed a live remixed version of '''Screen Tests''' for the launch of British Art Show 6 at BALTIC, Newcastle.&lt;br /&gt;
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[[BALTIC_images | Photos of the performance]]&lt;br /&gt;
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Future live performances are scheduled for Manchester, Nottingham and Bristol &lt;br /&gt;
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'''Screen Tests''' is at BALTIC from 24th Sep - 8th Jan 2006&lt;br /&gt;
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==Future Projects==&lt;br /&gt;
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[[Future Projects | Future collaborations and distributive projects.]] &lt;br /&gt;
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|}&lt;/div&gt;</summary>
		<author><name>81.152.52.161</name></author>
	</entry>
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