http://www.openmusicarchive.org/projects/api.php?action=feedcontributions&feedformat=atom&user=Mattwhiteski Open Music Archive Projects - User contributions [en] 2026-10-06T00:33:22Z User contributions MediaWiki 1.35.14 http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_81&diff=7353 Parallel Anthology Track 81 2013-09-24T17:59:44Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Unknown_Status.jpg]] '''Track 81: Memphis Jug Band - K C Moan''' ''Victor 38553; Recorded in Memphis, Tennessee, 4.10.1929''<br /> <br /> <br /> [[File:Anthology Track 81 label.jpg |thumb| |left|]] Record label assigns authorship to &quot;Tewee Blackman&quot;, as does [http://victor.library.ucsb.edu/index.php/matrix/detail/800027283/BVE-56346-K._C._moan victor.library.ucsb.edu]. <br /> <br /> <br /> However, no information is available on Blackman's death date, so the copyright status of this composition is '''unknown'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''K C Railroad Blues''' ''by Andrew and Jim Baxter'' recorded between 1924-38 according to album title. Available in BL shelfmark 1LP0119121: [http://open.spotify.com/track/6cOl8xNqAYOOi5fA1bwTgi Spotify]<br /> '' ''<br /> ''No attribution on record Roots RL-326''<br /> <br /> '''C &amp; O Whistle''' ''by The Fruit Jar Guzzlers'' recorded in 1928 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=32&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/7mLBVjI7hmUZkea47tZROV Spotify]<br /> <br /> '''Blowin' down this road''' ''by Woody Guthrie'' recorded in 1940 (according to [http://en.wikipedia.org/wiki/Dust_Bowl_Ballads wikipedia]): [http://open.spotify.com/track/3b0yg1dP4Rmh3C0tES3c6y Spotify]<br /> '' ''<br /> ''In [http://media.smithsonianfolkways.org/liner_notes/folkways/FW05212.pdf liner notes] for album containing this version Guthrie says he &quot;wrote up&quot; this and the other songs on the album.''<br /> <br /> '''Lonesome Road Blues''' ''by Ernest Stoneman and Kahle Brewer'' recorded in 1927 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=19&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/5zPuAaOdiOKaXjvD6T5Gmm Spotify]<br /> <br /> <br /> [[File:Cliff Carlisle Down the Road label.jpg |thumb| |left|]]'''Goin’ Down The Road Feelin’ Bad''' ''by Cliff Carlisle'' recorded in 1933 (according to [http://en.wikipedia.org/wiki/Cliff_Carlisle#Discography wikipedia]): [http://www.youtube.com/watch?v=HREYHiik4wg YouTube]<br /> '' ''<br /> ''Record label makes no claim to authorship or arrangement''<br /> <br /> <br /> <br /> <br /> '''Down South Where the Sugar Cane Grows''' ''by Fiddlin' John Carson'' recorded in 1929 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=10&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/2PzTFEteYaTgbwFlhJvPkh Spotify] <br /> <br /> '''I'm going down the road''' ''by J Kearns Planche'' recorded in 1950: [http://econtent.unm.edu/cdm/compoundobject/collection/RobbFieldRe/id/6194/show/3991/rec/4 University of New Mexico]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''I'm going down this road feelin' bad''' ''by Warde Ford'' recorded in 1938: [http://memory.loc.gov/cgi-bin/query/D?cowellbib:60:./temp/~ammem_gDDQ::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''Going Down The Road Feeling Bad''' ''by Ruth Huber and Lois Judd'' recorded in 1941: [http://memory.loc.gov/cgi-bin/query/D?toddbib:1:./temp/~ammem_6Xdh::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''I'm Goin' Down The Road Feelin' Bad''' ''by Gussie Ward Stone'' recorded in 1940: [http://memory.loc.gov/afc/afcts/audio/410/4103b1.mp3 Library of Congress]<br /> '' ''<br /> ''N.B. The link provided here goes directly to the audio file. For the information page (giving the name of the performer, the date of recording and a link to the audio file),''<br /> ''go to the Library of Congress's [http://memory.loc.gov/ammem/browse/ search facility] and search for &quot;Gussie Ward Stone&quot;.''<br /> '' ''<br /> ''Field recording''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=File:Cliff_Carlisle_Down_the_Road_label.jpg&diff=7352 File:Cliff Carlisle Down the Road label.jpg 2013-09-24T17:58:45Z <p>Mattwhiteski: Record Label for &quot;Goin' Doen the Road Feelin' Bad&quot; by Cliff Carlisle; Oriole 8260-A</p> <hr /> <div>Record Label for &quot;Goin' Doen the Road Feelin' Bad&quot; by Cliff Carlisle; Oriole 8260-A</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=File:Barbecue_Bob_Poor_Boy.jpg&diff=7351 File:Barbecue Bob Poor Boy.jpg 2013-09-24T17:51:12Z <p>Mattwhiteski: Record label for &quot;Poor Boy a Long Ways from Home&quot; by Barbecue Bob; Columbia 14246-D</p> <hr /> <div>Record label for &quot;Poor Boy a Long Ways from Home&quot; by Barbecue Bob; Columbia 14246-D</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_12&diff=7350 Parallel Anthology Track 12 2013-09-24T15:16:18Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 12: The Carolina Tar Heels - Peg and Awl''' ''Victor 40007-A; Recorded in Atlanta, Georgia, 14.10.1928''<br /> <br /> <br /> [[File:Anthology Track 12 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does either Anthology booklet, [http://www.78discography.com/vic40000.html www.78discography.com] or [http://victor.library.ucsb.edu/index.php/matrix/detail/800021094/BVE-47165-Peg_and_awl victor.library.ucsb.edu].<br /> <br /> <br /> The [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2009/11/peg-and-awl-carolina-tar-heels.html Where Dead Voices Gather] blog states, &quot;The song's lyrics place this song in the early 19th century, during the period of the British Industrial Revolution. […] One possibility is that 'Peg and Awl' might have descended from an earlier song written in the early 1800s. During the 1840s and '50s, when cobblers were suddenly finding their livelihood threatened by - among other things - Elias Howe's invention of the sewing machine in 1846, some musician may have substituted shoe making for an earlier industry. Nevertheless, the song has survived in its present form since the mid-19th century, at least.&quot;<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=438&amp;field=20&amp;fieldshow=multi&amp;op_9=or&amp;field_9=peg+awl&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=carolina&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 4619, and also lists a [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_20=4619&amp;amp;op_10=notempty&amp;amp;field=20&amp;amp;query=4619&amp;amp;start=6&amp;amp;output=Record&amp;access=off prior recording] (from 1925) by Kelly Harrell.<br /> <br /> <br /> There are therefore good grounds for treating this composition as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> <br /> '''Peg and Awl''' ''by Pete Seeger'' album released in 1957: [http://open.spotify.com/track/2ygosndXp6nZc3lywb6DrM Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40058.pdf Liner notes] for this album date this song to 1801-1804 and make no claim to arrangement credit for Seeger.''<br /> <br /> '''Peg and Awl''' ''by Kelly Harrell'' from album ''Kelly Harrell vol 1: 1925-1926'': [http://open.spotify.com/track/3BfuqOPBGtfKhngUvl54BR Spotify]<br /> '' ''<br /> ''Unable to find liner notes for this album, but this is a very similar arrangement to the (later) Tar Heels version on the Anthology.''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7274 Parallel Anthology Track 54 2013-09-13T17:23:31Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Bryant’s Jubilee Quartet'' (Conqueror 8358) recorded in 1931 according to [http://www.78discography.com/Conq8000.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> '''Shine on Me''' ''by the Fisk Jubilee Singers'' recorded in the 1930s according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> [[File:Blind Willie Johnson_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' (Columbia 14490D) recorded in 1929 according to [http://www.78discography.com/COL14000D.htm 78discography.com]<br /> '' ''<br /> ''No writing or arrangement credit on record label''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Lead Belly'' recorded in 1947 according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> '''Shine on Me''' ''by the Cliff Carlisle Quintet'' (Bluebird 6855) recorded in 1936 according to [http://www.78discography.com/BB6500.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> '''Shine on Me''' ''by the Swan Silverstones'' recorded in the 1950s according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> '''Shine on Me''' ''by the Kings of Harmony'' recorded in the 1950s according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> '''Shine on Me''' ''by the Soul Stirrers'' recorded in the 1950s according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> '''Shine on Me''' ''by the Reverend Gary Davis'' recorded in 1954 according to Old Weird America<br /> '' ''<br /> ''No information found''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7273 Parallel Anthology Track 54 2013-09-13T17:19:44Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Bryant’s Jubilee Quartet'' (Conqueror 8358) recorded in 1931 according to [http://www.78discography.com/Conq8000.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> '''Shine on Me''' ''by the Fisk Jubilee Singers'' recorded in the 1930s according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> [[File:Blind Willie Johnson_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' (Columbia 14490D) recorded in 1929 according to [http://www.78discography.com/COL14000D.htm 78discography.com]<br /> '' ''<br /> ''No writing or arrangement credit on record label''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Lead Belly'' recorded in 1947 according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> '''Shine on Me''' ''by the Cliff Carlisle Quintet'' (Bluebird 6855) recorded in 1936 according to [http://www.78discography.com/BB6500.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7272 Parallel Anthology Track 54 2013-09-13T17:18:44Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Bryant’s Jubilee Quartet'' (Conqueror 8358) recorded in 1931 according to [http://www.78discography.com/Conq8000.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> '''Shine on Me''' ''by the Fisk Jubilee Singers'' recorded in the 1930s according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> [[File:Blind Willie Johnson_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' (Columbia 14490D) recorded in 1929 according to Old Weird America, which is confirmed by [http://www.78discography.com/COL14000D.htm 78discography.com]<br /> '' ''<br /> ''No writing or arrangement credit on record label''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Lead Belly'' recorded in 1947 according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> '''Shine on Me''' ''by the Cliff Carlisle Quintet'' (Bluebird 6855) recorded in 1936 according to [http://www.78discography.com/BB6500.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7271 Parallel Anthology Track 54 2013-09-13T17:15:34Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Bryant’s Jubilee Quartet'' (Conqueror 8358) recorded in 1931 according to [http://www.78discography.com/Conq8000.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> '''Shine on Me''' ''by the Fisk Jubilee Singers'' recorded in the 1930s according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> [[File:Blind Willie Johnson_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' (Columbia 14490D) recorded in 1929 according to Old Weird America, which is confirmed by [http://www.78discography.com/COL14000D.htm 78discography.com]<br /> '' ''<br /> ''No writing or arrangement credit on record label''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Lead Belly'' recorded in 1947 according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=File:Blind_Willie_Johnson_Shine_On_Me_Label.jpg&diff=7270 File:Blind Willie Johnson Shine On Me Label.jpg 2013-09-13T17:12:37Z <p>Mattwhiteski: Record Label for Columbia 14490D &quot;Let Your Light Sine on Me&quot; by Blind Willie Johnson</p> <hr /> <div>Record Label for Columbia 14490D &quot;Let Your Light Sine on Me&quot; by Blind Willie Johnson</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7269 Parallel Anthology Track 54 2013-09-13T17:11:47Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Bryant’s Jubilee Quartet'' (Conqueror 8358) recorded in 1931 according to [http://www.78discography.com/Conq8000.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> '''Shine on Me''' ''by the Fisk Jubilee Singers'' recorded in the 1930s according to Old Weird America<br /> '' ''<br /> ''No information found''<br /> <br /> [[File:Blind Willie Johnson_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' (Columbia 14490D) recorded in 1929 according to Old Weird America, which is confirmed by [http://www.78discography.com/COL14000D.htm 78discography.com]<br /> '' ''<br /> ''No writing or arrangement credit on record label''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7268 Parallel Anthology Track 54 2013-09-13T16:49:29Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Bryant’s Jubilee Quartet'' (Conqueror 8358) recorded in 1931 according to [http://www.78discography.com/Conq8000.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7267 Parallel Anthology Track 54 2013-09-13T16:49:09Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> <br /> '''Shine on Me''' ''by Bryant’s Jubilee Quartet'' (Conqueror 8358) recorded in 1931 according to [http://www.78discography.com/Conq8000.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7266 Parallel Anthology Track 54 2013-09-13T16:48:49Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> '''Shine on Me''' ''by Bryant’s Jubilee Quartet'' (Conqueror 8358) recorded in 1931 according to [http://www.78discography.com/Conq8000.htm 78discography.com]<br /> '' ''<br /> ''No record label found''<br /> <br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7265 Parallel Anthology Track 54 2013-09-13T16:42:04Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7264 Parallel Anthology Track 54 2013-09-13T16:41:34Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |right|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> '' ''<br /> '' ''<br /> '' ''<br /> '' ''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7263 Parallel Anthology Track 54 2013-09-13T16:41:02Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |right|]]<br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7262 Parallel Anthology Track 54 2013-09-13T16:40:12Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> '''Shine on Me''' ''by the Wiseman Sextette'' [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |right|]] recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7261 Parallel Anthology Track 54 2013-09-13T16:39:54Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> '''Shine on Me''' ''by the Wiseman Sextette'' [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]] recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7260 Parallel Anthology Track 54 2013-09-13T16:39:19Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> [[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]] '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=File:Wiseman_Shine_On_Me_Label.jpg&diff=7259 File:Wiseman Shine On Me Label.jpg 2013-09-13T16:38:41Z <p>Mattwhiteski: Record label for Rainbow 1093A - &quot;Shine On Me&quot; by the Wiseman Quartet.</p> <hr /> <div>Record label for Rainbow 1093A - &quot;Shine On Me&quot; by the Wiseman Quartet.</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7258 Parallel Anthology Track 54 2013-09-13T16:37:48Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> '''[[File:Wiseman_Shine_On_Me_Label.jpg |thumb| |left|]] Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7257 Parallel Anthology Track 54 2013-09-13T16:36:28Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> '''Shine on Me''' ''by the Wiseman Sextette'' recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7256 Parallel Anthology Track 54 2013-09-13T16:35:59Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> '''Shine on Me''' ''by the Wiseman Sextette'' Recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> '' ''<br /> ''Record label calls this a &quot;Negro Spiritual&quot;. No arrangement credit.''<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7255 Parallel Anthology Track 54 2013-09-13T16:35:02Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> <br /> '''Shine on Me''' ''by the Wiseman Sextette'' Recorded in 1923 according to Old Weird America, which is confirmed by [http://www.78discography.com/Rainbow20.htm 78discography.com]<br /> <br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_65&diff=7230 Parallel Anthology Track 65 2013-09-02T14:52:54Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Unknown_Status.jpg]] '''Track 65: The Stoneman Family - The Spanish Merchant's Daughter''' ''Victor 40206; Recorded in Bristol, Tennessee, 31.10.1928''<br /> <br /> <br /> [[File:Anthology Track 65 label.jpg |thumb| |left|]] Record label assigns authorship to &quot;E Stoneman&quot;, as does Harry Smith's anthology booklet. However, [http://victor.library.ucsb.edu/index.php/matrix/detail/800021191/BVE-47262-The_Spanish_merchants_daughter victor.library.ucsb.edu] credits &quot;Ernest V Stoneman&quot; as arranger and &quot;A M Wakefield&quot; as both composer and lyricist. [http://www.78discography.com/vic40000.html www.78discography.com] does not assign authorship.<br /> <br /> <br /> According to [http://en.wikipedia.org/wiki/Stoneman_Family wikipedia], Ernest Stoneman died in 1968.<br /> <br /> <br /> According to this website: [http://www.musicweb-international.com/classrev/2002/Oct02/distaff.htm], August Mary Wakefield died in 1910, so her contribution has been '''public domain''' since 1st January 1971.<br /> <br /> <br /> Therefore, according to victor.library.ucsb.edu, the arrangement is '''in copyright''' until '''1st January 2039''', while the lyrics and music are '''public domain''', but according to the information on the record label, the entire composition is '''in copyright''' until '''1st January 2039'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''All of Her Answers were No''' ''by Peggy Seeger'' album released in 1955 (according to [http://www.folkways.si.edu/peggy-seeger/songs-of-courting-and-complaint/american-folk-celtic/music/album/smithsonian Folkways]): [http://open.spotify.com/track/4AIQjrAY7Kq1rgy25BZYzA Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] for this album treat this song as traditional.''<br /> <br /> '''No Sir''' ''by Jean Ritchie'' recorded in 1962 (according to [http://www.folkways.si.edu/jean-ritchie/precious-memories/american-folk-old-time/music/album/smithsonian www.folkways.si.edu]): [http://open.spotify.com/track/3YI4KIEZGdolYdIKEg54qX Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02427.pdf Liner notes] for this album state &quot;As sung by Jean Rithcie, [sic] ©1962 by Stormking Music Inc.&quot;''<br /> <br /> '''No Sir, No Sir''' ''by Sam Larner'' recorded in 1961 (according to [http://www.folkways.si.edu/sam-larner/now-is-the-time-for-fishing/celtic-world/music/album/smithsonian www.folkways.si.edu]): [http://open.spotify.com/track/73Zt1ZrutgdW0yURsGas7A Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW03507.pdf Liner notes] for this album treat this song as traditional.''<br /> <br /> '''No Sir, No Sir''' ''by Mary Jo Davis'' recorded in 1953 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=and&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=precise&amp;field_15=Hunter&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=precise&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=or&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=146&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query RFSD]): [http://maxhunter.missouristate.edu/songinformation.aspx?ID=1406 Max Hunter Collection]<br /> '' ''<br /> ''Field recording''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_10&diff=7229 Parallel Anthology Track 10 2013-09-02T14:45:05Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 10: Burnett and Rutherford - Willie Moore''' ''Columbia 15314-D; Recorded in Atlanta, Georgia, 3.11.1927''<br /> <br /> No image of record label available. [http://www.78discography.com/COL15000D.htm www.78discography.com] does not assign authorship, nor does either Anthology booklet.<br /> <br /> <br /> The reissue anthology booklet, however, states that &quot;Burnett remembered learning ‘Willie Moore’ from a printed ballad&quot;.<br /> <br /> <br /> Lyle Lofgren states that, &quot;The words were from a printed broadside (called a 'ballot' in the mountains), and the music is the fine part (the high part) of an old ballad tune that was floating around Kentucky.&quot; [http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-WillieMoore.html]<br /> <br /> <br /> The Where Dead Voices Gather blog states that &quot;'Willie Moore' is the first track on the Anthology to originate in the United States. Burnett later recalled having learned the song from a printed broadside in his native Kentucky. According to Smith's liner notes, a Mr. Paul Wilson of Farmington, Aarkansas reported meeting a Rev. William Moore in Dallas, Texas, who claimed to be the inspiration for the song (reported in Vance Randolph's Ozark Folk Songs, published in four volumes between 1946 and 1950 by the State Historical Society of Missouri). Little else is known about the origin of the song.&quot; [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2009/11/willie-moore-burnett-and-rutherford.html]<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_20=4816&amp;amp;op_10=notempty&amp;amp;op_9=and&amp;amp;start=14&amp;amp;output=Record&amp;access=off Roud Folksong Index] classifies this song as a vesion of Roud 4816, although it lists no printed or recorded versions of this song which pre-date Barnett and Rutherford's recording.<br /> <br /> <br /> Overall, there are reasonable grounds for treating this composition as '''public domain''', and there is no firm evidence yet to contradict this assumption.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> <br /> '''Sweet William and Lady Margaret''' ''by Jean Ritchie'' recorded no later than 1961 (album released that year according to [http://www.discogs.com/Jean-Ritchie-British-Traditional-Ballads-In-The-Southern-Mountains-Volume-2/release/1433032 discogs]): [http://open.spotify.com/track/5glON61ix3uip3pD64enI9 Spotify]<br /> '' ''<br /> ''Album is called'' '''''British Traditional Ballads''''' ''so it is reasonable to treat this recording as public domain.''<br /> <br /> '''Willie Moore''' ''by Fred Starr'' recorded in 1958: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=265 Max Hunter Collection]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_36&diff=7228 Parallel Anthology Track 36 2013-09-02T14:13:33Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 36: Jim Jackson - Old Dog Blue''' ''Victor 21387-B; Recorded in Memphis, Tennessee, 2.2.1928''<br /> <br /> No image of record label available. Harry Smith's Anthology booklet assigns authorship to &quot;Jim Jackson&quot;, as does [http://victor.library.ucsb.edu/index.php/matrix/detail/800016062/BVE-41827-Old_dog_Blue victor.library.ucsb.edu], although [http://www.78discography.com/vic21000.html www.78discography.com] does not assign authorship.<br /> <br /> <br /> According to [http://en.wikipedia.org/wiki/Jim_Jackson_%28musician%29 wikipedia], Jim Jackson died in 1937, which means that this composition has been '''public domain''' since '''1st January 2008'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> <br /> '''Old Blue''' ''by Joan O'Bryant'' recorded in 1957 (according to [http://www.folkways.si.edu/joan-obryant/folksongs-and-ballads-of-kansas/american-folk/music/album/smithsonian http://www.folkways.si.edu]): [http://open.spotify.com/track/5pGeQ30OKYEW9AtroCsXL7 Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02134.pdf Liner notes] treat this song as traditional.''<br /> <br /> '''Old Blue''' ''by Cisco Houston'' recorded in 1951 (according to [http://www.folkways.si.edu/songs-to-grow-on-vol-3-american-work-songs/american-folk-childrens/music/album/smithsonian http://www.folkways.si.edu]): [http://open.spotify.com/track/2h9xoCJoSGC9MVqwQ4IeON Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW07027.pdf Liner notes] do not claim any writing or arrangement credit.''<br /> <br /> '''Old Blue''' ''by Guy Carawan'' recorded in 1958 (according to [http://www.folkways.si.edu/guy-carawan/songs-with/american-folk/music/album/smithsonian http://www.folkways.si.edu]): [http://open.spotify.com/track/1NOmblnKLOq98p5oFn33LD Spotify]<br /> '' ''<br /> ''In the album's [http://media.smithsonianfolkways.org/liner_notes/folkways/FW03544.pdf liner notes], Carawan says &quot;I first heard this version from Cisco Houston. Later I heard it from Frank Hamilton who taught me the fabulous little lick on the guitar''<br /> ''that so enhances this song. Then I added a high yodel and another guitar lick of my own - and that's how this rendition grew, with 'something old, something new, something borrowed''<br /> ''and something blue'.&quot;''<br /> <br /> '''Old Blue''' ''by Guy Carawan'' recorded in 1958: From album &quot;America at Play&quot;</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_67&diff=7227 Parallel Anthology Track 67 2013-09-02T14:10:56Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 67: The Carter Family - Single Girl, Married Girl''' ''Victor 209370-A; Recorded in Bristol, Tennessee, 2.8.1927''<br /> <br /> <br /> [[File:Anthology Track 67 label.jpg |thumb| |left|]] Record label assigns authorship to A P Carter. <br /> <br /> <br /> According to [http://en.wikipedia.org/wiki/A.P._Carter wikipedia], A P Carter died in 1960.<br /> <br /> <br /> This composition is in '''copyright''' until '''1st January 2031'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Single Girl''' ''by Jean Ritchie'' recorded in 1951. Available in BL shelfmark : 1LP0160566<br /> <br /> '''Single Girl''' ''by Peggy Seeger'' album released in 1958: From album &quot;America at Play&quot;. <br /> <br /> '''When I was Single''' ''by Peggy Seeger'' album released in 1955: [http://open.spotify.com/track/1vrEVgz2ff1jEwKaaORuO0 Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] make no claim to copyright for writing or arranging.''<br /> <br /> '''The Drunken Man''' ''by D. J. &quot;Dom&quot; Ingenthron'' recorded in 1958: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=191 Max Hunter Collection]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''Single Girl''' ''by Julius Sutton'' recorded in 1925 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=2&amp;amp;output=Record&amp;access=off RFSI]): [http://www.loc.gov/folklife/Gordon/sideAband7.html American Folklife Centre]<br /> '' ''<br /> ''The information page which accompanies the recording implies that there is nothing original about this version.''<br /> <br /> '''[[File:Kelly Harrell Single Girl label.jpg |thumb| |left|]] I Wish I was a Single Girl Again''' ''by Kelly Harrell'' recorded in 1925 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=5&amp;amp;output=Record&amp;access=off RFSI]): [http://www.youtube.com/watch?v=q85c9FwGOK4 YouTube]<br /> '' ''<br /> ''Record label does not claim authorship or arrangement credit. Nor does [http://victor.library.ucsb.edu/index.php/matrix/detail/800005838/B-31586-I_wish_I_was_a_single_girl_again victor.library.ucsb.edu].''<br /> <br /> '''I Wish I were a Single Girl Again''' ''by Roscoe Holcombe'' recorded in 1959 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=7&amp;amp;output=Record&amp;access=off RFSI]): [http://www.youtube.com/watch?v=ojFVnBOsRzU YouTube]<br /> <br /> '''I Wish I was a Single Girl Again''' ''by Frank Proffitt'' recorded in 1941 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=10&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/1mpoGYnXi1dPplB3P380ml Spotify]<br /> <br /> '''I Wish I was a Single Girl Again''' ''by Vernon Dalhart'' recorded in the 1920s (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=38&amp;amp;output=Record&amp;access=off RFSI]): [http://www.youtube.com/watch?v=4CX6Ynpj9d4 YouTube]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_64&diff=7226 Parallel Anthology Track 64 2013-09-02T14:09:06Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 64: Mr and Mrs Ernest V Stoneman - The Mountaineer's Courtship''' ''Okeh 45125; Recorded in New York, 12.5.1927''<br /> <br /> <br /> No image of record label available. Neither Anthology booklet assigns authorship, nor does [http://www.78discography.com/OK45000.html www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;op_13=and&amp;amp;field_9=mountaineer%27s%20courtship&amp;amp;op_9=and&amp;amp;start=3&amp;amp;output=Record&amp;access=off Roud Folksong Index] classifies this song as a version of Roud 313. A [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_20=313&amp;amp;op_10=notempty&amp;amp;op_13=and&amp;amp;op_9=and&amp;amp;start=22&amp;amp;output=Record&amp;access=off Roud number search] returns several versions which pre-date the Stonemans' recording, all from England, with one dating back to the 18th century.<br /> <br /> <br /> According to the [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2010/06/mountaineers-courtship-mr-and-mrs.html Where Dead Voices Gather] blog, &quot;Some sources claim that the song goes back as far as the 1600s&quot;, while the [http://oldweirdamerica.wordpress.com/2012/06/20/64-65-the-mountaineers-courtship-and-the-spanish-merchants-daughter-by-mr-mrs-ernest-v-stoneman/ Old Weird America] blog claims that it &quot;has its origin in an old British ballad from the 17th century called 'Nicol O’Cod'&quot;.<br /> <br /> <br /> The tune used for this song is the same as the nursery rhyme &quot;The Old Grey Goose&quot; or &quot;Go Tell Aunt Nancy&quot;<br /> <br /> <br /> In any case, there are very good grounds for treating this composition as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative versions ==<br /> <br /> <br /> '''The Mountaineer's Courtship''' ''by Peggy Seeger and Guy Carawan'' recorded in 1958: On album &quot;America at Play&quot;<br /> <br /> '''Buffalo Boy''' ''by Theodore Bikel'' recorded in 1961 (according album's subtitle): [http://open.spotify.com/track/5xrlYv4I4X5rUR2rJP3Ksz Spotify]<br /> '' ''<br /> ''Unable to determine whether any arrangement credit is claimed for this version.''<br /> <br /> '''Go Tell Aunt Rhody''' ''by Woody Guthrie'' recorded in 1944 (according to [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40112.pdf liner notes]): [http://open.spotify.com/track/46z5EOfsxnEdiWMuW2olbv Spotify]<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40112.pdf liner notes] for this album credit this song as &quot;traditional&quot;''<br /> <br /> '''Go Tell Aunt Nancy''' ''by Mrs Shirley Lomax Mansell'' recorded in 1939: [http://memory.loc.gov/cgi-bin/query/D?lomaxbib:3:./temp/~ammem_1X5J::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''The Old Grey Goose''' ''by the Carolina Tar Heels'' recorded in 1929 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=tar&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=3346&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query RFSI]): [http://open.spotify.com/track/55iWcWBN5M700zFCkjqZUe Spotify]<br /> '' ''<br /> ''[http://victor.library.ucsb.edu/index.php/matrix/detail/800024236/BVE-51079-The_old_gray_goose victor.library.ucsb.edu] does not claim any arrangement credit for this version.''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_64&diff=7225 Parallel Anthology Track 64 2013-09-02T14:07:26Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 64: Mr and Mrs Ernest V Stoneman - The Mountaineer's Courtship''' ''Okeh 45125; Recorded in New York, 12.5.1927''<br /> <br /> <br /> No image of record label available. Neither Anthology booklet assigns authorship, nor does [http://www.78discography.com/OK45000.html www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;op_13=and&amp;amp;field_9=mountaineer%27s%20courtship&amp;amp;op_9=and&amp;amp;start=3&amp;amp;output=Record&amp;access=off Roud Folksong Index] classifies this song as a version of Roud 313. A [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_20=313&amp;amp;op_10=notempty&amp;amp;op_13=and&amp;amp;op_9=and&amp;amp;start=22&amp;amp;output=Record&amp;access=off Roud number search] returns several versions which pre-date the Stonemans' recording, all from England, with one dating back to the 18th century.<br /> <br /> <br /> According to the [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2010/06/mountaineers-courtship-mr-and-mrs.html Where Dead Voices Gather] blog, &quot;Some sources claim that the song goes back as far as the 1600s&quot;, while the [http://oldweirdamerica.wordpress.com/2012/06/20/64-65-the-mountaineers-courtship-and-the-spanish-merchants-daughter-by-mr-mrs-ernest-v-stoneman/ Old Weird America] blog claims that it &quot;has its origin in an old British ballad from the 17th century called 'Nicol O’Cod'&quot;.<br /> <br /> <br /> The tune used for this song is the same as the nursery rhyme &quot;The Old Grey Goose&quot; or &quot;Go Tell Aunt Nancy&quot;<br /> <br /> <br /> In any case, there are very good grounds for treating this composition as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative versions ==<br /> <br /> '''Buffalo Boy''' ''by Theodore Bikel'' recorded in 1961 (according album's subtitle): [http://open.spotify.com/track/5xrlYv4I4X5rUR2rJP3Ksz Spotify]<br /> '' ''<br /> ''Unable to determine whether any arrangement credit is claimed for this version.''<br /> <br /> '''Go Tell Aunt Rhody''' ''by Woody Guthrie'' recorded in 1944 (according to [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40112.pdf liner notes]): [http://open.spotify.com/track/46z5EOfsxnEdiWMuW2olbv Spotify]<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40112.pdf liner notes] for this album credit this song as &quot;traditional&quot;''<br /> <br /> '''Go Tell Aunt Nancy''' ''by Mrs Shirley Lomax Mansell'' recorded in 1939: [http://memory.loc.gov/cgi-bin/query/D?lomaxbib:3:./temp/~ammem_1X5J::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''The Old Grey Goose''' ''by the Carolina Tar Heels'' recorded in 1929 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=tar&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=3346&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query RFSI]): [http://open.spotify.com/track/55iWcWBN5M700zFCkjqZUe Spotify]<br /> '' ''<br /> ''[http://victor.library.ucsb.edu/index.php/matrix/detail/800024236/BVE-51079-The_old_gray_goose victor.library.ucsb.edu] does not claim any arrangement credit for this version.''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_7&diff=7224 Parallel Anthology Track 7 2013-09-02T13:59:55Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 7: Buell Kazee - The Wagoner's Lad''' ''Brunswick 213-B; Recorded in New York, 18.1.1928''<br /> <br /> No image of record label available. Neither Anthology booklet assigns authorship, nor does [http://www.78discography.com/BRN100.htm www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=or&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=kazee&amp;op_17=or&amp;field_17=&amp;op_10=or&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=414&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 414, and also lists a version collected by Cecil Sharp in 1908. [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=book&amp;amp;field_20=414&amp;amp;field_10=1908&amp;amp;start=1&amp;amp;output=Record&amp;access=off] Perhaps the book which contains this version (English Folk-Songs Southern Appalachians 2) has more information about the origins of this song?<br /> <br /> <br /> It seems reasonable to treat this composition as '''public domain''', although the evidence for this is not particularly firm as yet.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''The Wagoner's Lad''' ''by Peggy Seeger'' album released in 1955: [http://open.spotify.com/track/72M8di8susU3HZmd2MwuKS Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] make no claim to copyright for writing or arranging.''<br /> <br /> '''The Wagoner's Lad''' ''by Pete Seeger'' album released in 1957 according to [http://www.folkways.si.edu/pete-seeger/american-favorite-ballads-vol-1/american-folk/music/album/smithsonian Folkways]: Available in BL, shelfmark 1LP0082764: [http://open.spotify.com/track/2DGvqU1CYrXJQx2JQkHGkQ Spotify]<br /> '' ''<br /> ''No claim to authorship or arrangement on [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02320.pdf liner notes]''<br /> <br /> '''Pretty Saro''' ''by Guy Carawan'' album released in 1959 (according to [http://www.folkways.si.edu/guy-carawan/sings-something-old-new-borrowed-and-blue-vol-2/american-folk/music/album/smithsonian www.folkways.si.edu]: [http://open.spotify.com/track/7t3AzXpRyQaPULe1o2PURj Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] say &quot;This version from Sharp's English Folk Songs of the Southern Appalachians, Vol. II, page 12, was popularized among city singers first by Elizabeth Harold and''<br /> ''Hally Wood.&quot;''<br /> <br /> '''Pretty Saro''' ''by Guy Carawan and Peggy Seeger'' from 1958 album &quot;America at Play&quot;<br /> <br /> '''The Rose of Naideen''' ''by Mrs. Laura McDonald'' recorded in 1958: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=207 Max Hunter Collection]<br /> <br /> '''My Horses Ain't Hungry''' ''by Mrs. Haden Robinson'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=569 Max Hunter Collection]<br /> <br /> '''My Horses Ain't Hungry''' ''by Mrs. Kenneth Wright and Mrs. Gladys Jennings'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=485 Max Hunter Collection]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_57&diff=7223 Parallel Anthology Track 57 2013-09-02T13:46:34Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 57: Clarence Ashley - The Coo Coo Bird''' ''Columbia 15489-D; Recorded in Johnson City, Tennessee, 23.11.1929''<br /> <br /> <br /> [[File:Anthology Track 57 label.jpg |thumb| |left|]] Record label does not assign authorship, nor does [http://www.78discography.com/COL15000D.htm www.78discography.com]. <br /> <br /> <br /> According to [http://en.wikipedia.org/wiki/The_Cuckoo_%28song%29 wikipedia], this is a version of a traditional English folk song.<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=or&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=and&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=413&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 413. A Roud number search returns numerous versions which significantly pre-date Ashley's recording.<br /> <br /> <br /> This composition can be treated as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''The Coo Coo''' ''by Mr and Mrs John Sams'' recorded in 1959 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=precise&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=sams&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=413&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query RFSI]): [http://open.spotify.com/track/2h1kHPtlWkh3TNm7cVl0uw Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40077.pdf Liner notes] for this album show that this is a field recording of a traditional folk song.''<br /> <br /> '''The Cuckoo She's a Fine Bird''' ''by Kelly Harrell'' recorded in 1926 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=413&amp;amp;op_10=notempty&amp;amp;field_0=harrell&amp;amp;op_9=precise&amp;amp;start=1&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/1bM8DihjukkVBArJwI3QVb Spotify]<br /> '' ''<br /> ''[http://victor.library.ucsb.edu/index.php/matrix/detail/800009913/BVE-35673-The_cuckoo_shes_a_fine_bird victor.library.ucsb.edu] makes no claim for writing or arrangement.''<br /> <br /> '''False Hearted Lover''' ''by Olivia Hauser'' recorded in 1961: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=591 Max Hunter Collection]<br /> '' ''<br /> ''Note: Most of this song is different to &quot;The Coo Coo Bird&quot;. Only the last two verses (from 1:44) contain the first verse of Ashley's version.''<br /> <br /> '''The Cuckoo''' ''by Lillie Steele'' recorded in 1958 (according to [http://www.discogs.com/Pete-Steele-Banjo-Tunes-And-Songs/release/3225110 discogs]): [http://open.spotify.com/track/3abpDJfYyt2jxrQiwHPRET Spotify]<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FW03828.pdf liner notes] for this album treat this song as traditional.''<br /> <br /> '''The Cuckoo''' ''by Jean Ritchie'' recorded in 1952 (according to [http://www.discogs.com/Jean-Ritchie-Jean-Ritchie-Singing-The-Traditional-Songs-Of-Her-Kentucky-Mountain-Family/release/4773143 discogs]): 2 versions on Spotify: [http://open.spotify.com/track/2jQCp1IU3GENp9hHmiU44l Version 1] [http://open.spotify.com/track/2jQCp1IU3GENp9hHmiU44l Version 2]<br /> '' ''<br /> ''Album title is &quot;Singing the Traditional Songs of her Kentucky Mountain Family&quot;, so this version can be treated as '''public domain'''.''<br /> <br /> '''The Cuckoo She's A Pretty Bird''' ''by Jean Ritchie'' recorded in 1949: [http://research.culturalequity.org/get-audio-detailed-recording.do?recordingId=12749]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_57&diff=7222 Parallel Anthology Track 57 2013-09-02T13:46:07Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 57: Clarence Ashley - The Coo Coo Bird''' ''Columbia 15489-D; Recorded in Johnson City, Tennessee, 23.11.1929''<br /> <br /> <br /> [[File:Anthology Track 57 label.jpg |thumb| |left|]] Record label does not assign authorship, nor does [http://www.78discography.com/COL15000D.htm www.78discography.com]. <br /> <br /> <br /> According to [http://en.wikipedia.org/wiki/The_Cuckoo_%28song%29 wikipedia], this is a version of a traditional English folk song.<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=or&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=and&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=413&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 413. A Roud number search returns numerous versions which significantly pre-date Ashley's recording.<br /> <br /> <br /> This composition can be treated as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''The Coo Coo''' ''by Mr and Mrs John Sams'' recorded in 1959 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=precise&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=sams&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=413&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query RFSI]): [http://open.spotify.com/track/2h1kHPtlWkh3TNm7cVl0uw Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40077.pdf Liner notes] for this album show that this is a field recording of a traditional folk song.''<br /> <br /> '''The Cuckoo She's a Fine Bird''' ''by Kelly Harrell'' recorded in 1926 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=413&amp;amp;op_10=notempty&amp;amp;field_0=harrell&amp;amp;op_9=precise&amp;amp;start=1&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/1bM8DihjukkVBArJwI3QVb Spotify]<br /> '' ''<br /> ''[http://victor.library.ucsb.edu/index.php/matrix/detail/800009913/BVE-35673-The_cuckoo_shes_a_fine_bird victor.library.ucsb.edu] makes no claim for writing or arrangement.''<br /> <br /> '''False Hearted Lover''' ''by Olivia Hauser'' recorded in 1961: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=591 Max Hunter Collection]<br /> '' ''<br /> ''Note: Most of this song is different to &quot;The Coo Coo Bird&quot;. Only the last two verses (from 1:44) contain the first verse of Ashley's version.''<br /> <br /> '''The Cuckoo''' ''by Lillie Steele'' recorded in 1958 (according to [http://www.discogs.com/Pete-Steele-Banjo-Tunes-And-Songs/release/3225110 discogs]): [http://open.spotify.com/track/3abpDJfYyt2jxrQiwHPRET Spotify]<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FW03828.pdf liner notes] for this album treat this song as traditional.''<br /> <br /> '''The Cuckoo''' ''by Jean Ritchie'' recorded in 1952 (according to [http://www.discogs.com/Jean-Ritchie-Jean-Ritchie-Singing-The-Traditional-Songs-Of-Her-Kentucky-Mountain-Family/release/4773143 discogs]): 2 versions on Spotify: [http://open.spotify.com/track/2jQCp1IU3GENp9hHmiU44l Version 1] [http://open.spotify.com/track/2jQCp1IU3GENp9hHmiU44l Version 2]<br /> '' ''<br /> ''Album title is &quot;Singing the Traditional Songs of her Kentucky Mountain Family, so this version can be treated as '''public domain'''.''<br /> <br /> '''The Cuckoo She's A Pretty Bird''' ''by Jean Ritchie'' recorded in 1949: [http://research.culturalequity.org/get-audio-detailed-recording.do?recordingId=12749]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_81&diff=7221 Parallel Anthology Track 81 2013-09-02T11:32:38Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Unknown_Status.jpg]] '''Track 81: Memphis Jug Band - K C Moan''' ''Victor 38553; Recorded in Memphis, Tennessee, 4.10.1929''<br /> <br /> <br /> [[File:Anthology Track 81 label.jpg |thumb| |left|]] Record label assigns authorship to &quot;Tewee Blackman&quot;, as does [http://victor.library.ucsb.edu/index.php/matrix/detail/800027283/BVE-56346-K._C._moan victor.library.ucsb.edu]. <br /> <br /> <br /> However, no information is available on Blackman's death date, so the copyright status of this composition is '''unknown'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''K C Railroad Blues''' ''by Andrew and Jim Baxter'' recorded between 1924-38 according to album title. Available in BL shelfmark 1LP0119121: [http://open.spotify.com/track/6cOl8xNqAYOOi5fA1bwTgi Spotify]<br /> '' ''<br /> ''No attribution on record Roots RL-326''<br /> <br /> '''C &amp; O Whistle''' ''by The Fruit Jar Guzzlers'' recorded in 1928 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=32&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/7mLBVjI7hmUZkea47tZROV Spotify]<br /> <br /> '''Blowin' down this road''' ''by Woody Guthrie'' recorded in 1940 (according to [http://en.wikipedia.org/wiki/Dust_Bowl_Ballads wikipedia]): [http://open.spotify.com/track/3b0yg1dP4Rmh3C0tES3c6y Spotify]<br /> '' ''<br /> ''In [http://media.smithsonianfolkways.org/liner_notes/folkways/FW05212.pdf liner notes] for album containing this version Guthrie says he &quot;wrote up&quot; this and the other songs on the album.''<br /> <br /> '''Lonesome Road Blues''' ''by Ernest Stoneman and Kahle Brewer'' recorded in 1927 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=19&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/5zPuAaOdiOKaXjvD6T5Gmm Spotify]<br /> <br /> [[File:Cliff Carlisle Down the Road label.jpg |thumb| |left|]]'''Goin’ Down The Road Feelin’ Bad''' ''by Cliff Carlisle'' recorded in 1933 (according to [http://en.wikipedia.org/wiki/Cliff_Carlisle#Discography wikipedia]): [http://www.youtube.com/watch?v=HREYHiik4wg YouTube]<br /> '' ''<br /> ''Record label makes no claim to authorship or arrangement''<br /> <br /> '''Down South Where the Sugar Cane Grows''' ''by Fiddlin' John Carson'' recorded in 1929 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=10&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/2PzTFEteYaTgbwFlhJvPkh Spotify] <br /> <br /> '''I'm going down the road''' ''by J Kearns Planche'' recorded in 1950: [http://econtent.unm.edu/cdm/compoundobject/collection/RobbFieldRe/id/6194/show/3991/rec/4 University of New Mexico]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''I'm going down this road feelin' bad''' ''by Warde Ford'' recorded in 1938: [http://memory.loc.gov/cgi-bin/query/D?cowellbib:60:./temp/~ammem_gDDQ::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''Going Down The Road Feeling Bad''' ''by Ruth Huber and Lois Judd'' recorded in 1941: [http://memory.loc.gov/cgi-bin/query/D?toddbib:1:./temp/~ammem_6Xdh::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''I'm Goin' Down The Road Feelin' Bad''' ''by Gussie Ward Stone'' recorded in 1940: [http://memory.loc.gov/afc/afcts/audio/410/4103b1.mp3 Library of Congress]<br /> '' ''<br /> ''N.B. The link provided here goes directly to the audio file. For the information page (giving the name of the performer, the date of recording and a link to the audio file),''<br /> ''go to the Library of Congress's [http://memory.loc.gov/ammem/browse/ search facility] and search for &quot;Gussie Ward Stone&quot;.''<br /> '' ''<br /> ''Field recording''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_41&diff=7220 Parallel Anthology Track 41 2013-09-02T11:18:11Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 41: Frank Cloutier and the Victoria Cafe Orchestra - Moonshiner's Dance Part I''' ''Gennett 6305-A; Recorded in St Paul, Minnessota, 1927''<br /> <br /> <br /> [[File:Anthology Track 41 Label.jpg |thumb| |left|]] Record label assigns authorship to &quot;Cloutier&quot; as do the notes in Harry Smith's Anthology booklet, although [http://www.78discography.com/GNT6000.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> [[File:Frank Cloutier Grave.jpg |thumb|]] Frank Cloutier's grave (picture taken from [http://www.celestialmonochord.org/the_moonshiners_dance/ www.celestialmonochord.org]) shows that he died in 1957, meaning that this composition is '''in copyright''' until '''1st January 2028'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2010/10/12/41-moonshiners-dance-part-1-by-frank-cloutier-the-victoria-cafe-orchestra/ Old Weird America] blog, &quot;The Moonshiner’s Dance is a medley of old popular songs in a jazzy, polka style, punctuated by talks, laughs and the shouting “One, two, three, four” between each tune,&quot; the tunes being:<br /> <br /> <br /> '''When You and I Were Young, Maggie'''<br /> <br /> According to [http://en.wikipedia.org/wiki/When_You_and_I_Were_Young,_Maggie wikipedia], the lyrics were written by George Washington Johnson who died in 1917, and the music by James Austin Butterfield who died in 1891 [http://en.wikipedia.org/wiki/James_Austin_Butterfield], thus this song is '''public domain'''.<br /> <br /> <br /> '''How Dry I Am'''<br /> <br /> According to [http://en.wikipedia.org/wiki/How_Dry_I_Am wikipedia], this song was written by Irving Berlin, who died in 1989 ([http://en.wikipedia.org/wiki/Irving_Berlin]) and so is '''in copyright''' until '''1st January 2060'''.<br /> <br /> <br /> '''At the Cross'''<br /> <br /> According to [http://oldweirdamerica.wordpress.com/2010/10/12/41-moonshiners-dance-part-1-by-frank-cloutier-the-victoria-cafe-orchestra/ Old Weird America], this song was &quot;written by Isaac Watts and Ralph E. Hudson and first published in the first edition of Hymns and Spiritual Songs, 1707&quot;, and so is '''public domain'''.<br /> <br /> <br /> '''When You Wore a Tulip'''<br /> <br /> Written by Percy Wenrich and Jack Mahoney. According to [http://en.wikipedia.org/wiki/Percy_Wenrich wikipedia], Wenrich died in 1952, so this song is '''in copyright''' until at least '''1st January 2023'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative versions ==<br /> <br /> The [http://oldweirdamerica.wordpress.com/2010/10/12/41-moonshiners-dance-part-1-by-frank-cloutier-the-victoria-cafe-orchestra/ Old Weird America] blog provides for four versions of ''When You and I Were Young, Maggie'', three of which are pre-1962, and three of ''At the Cross'', all of which are streamable.<br /> <br /> '''When You and I Were Young, Maggie''' ''by Horst Geldmacher'' recorded in 1958 (according to BL Catalogue): [http://cadensa.bl.uk/uhtbin/cgisirsi/?ps=QvSRFJLvNg/WORKS-FILE/55970048/9 BL] (needs to be ordered in advance.<br /> '' ''<br /> ''According to BL catalogue, credited to Butterfield''<br /> <br /> '''At the Cross''' ''by Fiddlin' John Carson'' recorded in 1930, available at BL, shelfmark 1LP0157650: [http://open.spotify.com/track/53DDJK2N22EOP2CbwRwyOW Spotify]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_7&diff=7219 Parallel Anthology Track 7 2013-09-02T11:13:25Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 7: Buell Kazee - The Wagoner's Lad''' ''Brunswick 213-B; Recorded in New York, 18.1.1928''<br /> <br /> No image of record label available. Neither Anthology booklet assigns authorship, nor does [http://www.78discography.com/BRN100.htm www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=or&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=kazee&amp;op_17=or&amp;field_17=&amp;op_10=or&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=414&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 414, and also lists a version collected by Cecil Sharp in 1908. [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=book&amp;amp;field_20=414&amp;amp;field_10=1908&amp;amp;start=1&amp;amp;output=Record&amp;access=off] Perhaps the book which contains this version (English Folk-Songs Southern Appalachians 2) has more information about the origins of this song?<br /> <br /> <br /> It seems reasonable to treat this composition as '''public domain''', although the evidence for this is not particularly firm as yet.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''The Wagoner's Lad''' ''by Peggy Seeger'' album released in 1955: [http://open.spotify.com/track/72M8di8susU3HZmd2MwuKS Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] make no claim to copyright for writing or arranging.''<br /> <br /> '''The Wagoner's Lad''' ''by Pete Seeger'' album released in 1957 according to [http://www.folkways.si.edu/pete-seeger/american-favorite-ballads-vol-1/american-folk/music/album/smithsonian Folkways]: Available in BL, shelfmark 1LP0082764: [http://open.spotify.com/track/2DGvqU1CYrXJQx2JQkHGkQ Spotify]<br /> '' ''<br /> ''No claim to authorship or arrangement on [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02320.pdf liner notes]''<br /> <br /> '''Pretty Saro''' ''by Guy Carawan'' album released in 1959 (according to [http://www.folkways.si.edu/guy-carawan/sings-something-old-new-borrowed-and-blue-vol-2/american-folk/music/album/smithsonian www.folkways.si.edu]: [http://open.spotify.com/track/7t3AzXpRyQaPULe1o2PURj Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] say &quot;This version from Sharp's English Folk Songs of the Southern Appalachians, Vol. II, page 12, was popularized among city singers first by Elizabeth Harold and''<br /> ''Hally Wood.&quot;''<br /> <br /> '''The Rose of Naideen''' ''by Mrs. Laura McDonald'' recorded in 1958: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=207 Max Hunter Collection]<br /> <br /> '''My Horses Ain't Hungry''' ''by Mrs. Haden Robinson'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=569 Max Hunter Collection]<br /> <br /> '''My Horses Ain't Hungry''' ''by Mrs. Kenneth Wright and Mrs. Gladys Jennings'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=485 Max Hunter Collection]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_7&diff=7218 Parallel Anthology Track 7 2013-09-02T11:13:14Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 7: Buell Kazee - The Wagoner's Lad''' ''Brunswick 213-B; Recorded in New York, 18.1.1928''<br /> <br /> No image of record label available. Neither Anthology booklet assigns authorship, nor does [http://www.78discography.com/BRN100.htm www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=or&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=kazee&amp;op_17=or&amp;field_17=&amp;op_10=or&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=414&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 414, and also lists a version collected by Cecil Sharp in 1908. [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=book&amp;amp;field_20=414&amp;amp;field_10=1908&amp;amp;start=1&amp;amp;output=Record&amp;access=off] Perhaps the book which contains this version (English Folk-Songs Southern Appalachians 2) has more information about the origins of this song?<br /> <br /> <br /> It seems reasonable to treat this composition as '''public domain''', although the evidence for this is not particularly firm as yet.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''The Wagoner's Lad''' ''by Peggy Seeger'' album released in 1955: [http://open.spotify.com/track/72M8di8susU3HZmd2MwuKS Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] make no claim to copyright for writing or arranging.''<br /> <br /> '''The Wagoner's Lad''' ''by Pete Seeger'' album released in 1957 according to [http://www.folkways.si.edu/pete-seeger/american-favorite-ballads-vol-1/american-folk/music/album/smithsonian Folkways]: Available in BL, shelfmark 1LP0082764: [http://open.spotify.com/track/2DGvqU1CYrXJQx2JQkHGkQ Spotify]<br /> '' ''<br /> ''No claim to authorship or arrangement on [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02320.pdf liner notes]''<br /> <br /> <br /> '''Pretty Saro''' ''by Guy Carawan'' album released in 1959 (according to [http://www.folkways.si.edu/guy-carawan/sings-something-old-new-borrowed-and-blue-vol-2/american-folk/music/album/smithsonian www.folkways.si.edu]: [http://open.spotify.com/track/7t3AzXpRyQaPULe1o2PURj Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] say &quot;This version from Sharp's English Folk Songs of the Southern Appalachians, Vol. II, page 12, was popularized among city singers first by Elizabeth Harold and''<br /> ''Hally Wood.&quot;''<br /> <br /> '''The Rose of Naideen''' ''by Mrs. Laura McDonald'' recorded in 1958: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=207 Max Hunter Collection]<br /> <br /> '''My Horses Ain't Hungry''' ''by Mrs. Haden Robinson'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=569 Max Hunter Collection]<br /> <br /> '''My Horses Ain't Hungry''' ''by Mrs. Kenneth Wright and Mrs. Gladys Jennings'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=485 Max Hunter Collection]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_21&diff=7217 Parallel Anthology Track 21 2013-09-02T11:10:41Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 21: Mississippi John Hurt - Frankie''' ''Okeh 8560; Recorded in Memphis, Tennessee, 14.2.1928''<br /> <br /> <br /> [[File:Anthology Track 21 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does either Anthology booklet, or [http://www.78discography.com/OK8500.html www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=Frankie&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=mississippi&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 254. A [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=254&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud number search] returns a number of versions which pre-date Hurt's recording dating back to 1909 across a very wide geographical area (N Carolina, Texas, Kentucky, Missouri, California).<br /> <br /> <br /> According to the [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2010/01/frankie-mississippi-john-hurt.html Where Dead Voices Gather] blog:<br /> <br /> ''Like the story of Stackalee, &quot;Frankie&quot; is based on a documented real-life incident:''<br /> <br /> ''&quot;Allen Britt, colored, was shot and badly wounded shortly after 2 o’clock yesterday morning by Frankie Baker, also colored. The shooting occurred in Britt’s room at 212 Targee Street, and was the culmination of a quarrel. The woman claimed that Britt had been paying attentions to another woman. The bullet entered Britt’s abdomen, penetrating the intestines. The woman escaped after the shooting.&quot; - St Louis Globe-Democrat, October 16, 1899.''<br /> <br /> ''Somehow, this minor incident of domestic violence caught the public imagination and was immortalized in song. The first published version of the song appeared in 1904 and was copyrighted by Hughie Cannon. Another version was copyrighted by Frank and Bert Leighton in 1908, under the title &quot;Bill, You Done Me Wrong.&quot; It was republished in 1912 under the title &quot;Frankie and Johnny.&quot; Exactly when and how Albert (Al Britt) morphed into &quot;Johnny&quot; is unknown. It was in the 1912 version by the Leighton brothers, however, that Alice Frye turned into &quot;Nellie Bly.&quot; The now familiar melody of the song (not used in Hurt's version) was derived from an unrelated song (also published in 1912) titled &quot;You're My Baby,&quot; written by Nat Ayer. The song has been recorded at least 256 times over the years. It has been performed by Leadbelly, Johnny Cash, Sam Cooke, Lena Horne, Lonnie Donegan, Bob Dylan, Joe and Eddie, Taj Mahal, Charlie Patton, Charlie Poole, Jerry Lee Lewis, Elvis Presley (who also starred in a film version), Jimmie Rodgers, Gene Vincent, Fats Waller, Van Morrison, Michael Pappas, Brook Benton, Stevie Wonder, Jack Johnson, Michelle Shocked, and Lindsay Lohan, just to name a few.''<br /> <br /> <br /> Hughie Cannon died in 1912 ([http://en.wikipedia.org/wiki/Hughie_Cannon]), while Bert Leighton did not die until 1964 ([http://maewest.blogspot.co.uk/2011/02/mae-west-bert-leighton.html]). This means that the first version mentioned above has been '''public domain''' since '''1st January 1983''', while the second is '''in copyright''' until '''1st January 2035'''. However, it is unclear which of the two, if either, is related to the Anthology version, and the blog states that the &quot;familiar melody of the song [is] not used in Hurt's version&quot;. <br /> <br /> <br /> According to the [http://oldweirdamerica.wordpress.com/2009/04/26/21-frankie-by-mississippi-john-hurt/ Old Weird America] blog:<br /> <br /> ''With “Frankie and Johnny” (the most usual name of the song) we have a fine example of a folk song that entered the world of popular music via writers and composers of Tin Pan Alley (and later via Hollywood movies) who reshaped the old song and made a new version that became “the” version that everybody sang, included folksingers. How old and from which event came the original “Frankie and Albert” (The change to Johnny as the man’s name was made by Tin Pan Alley writers. Johnny sounded more good for them than Albert) was well debated over the years between scholars and folk music writers. Some said it goes back as far as the Civil War but the first printed versions were all from the early 20th century. The original ballad was of course inspired by the story of Frankie Baker, a young black girl who killed her lover Allen “Al” Britt in St-Louis in 1899 because he was flirting with another girl, Alice Pryor (it’s easy to see how “Al Britt” became ”Albert”, less for the girl’s name, who becomes Nellie Blye or Alice Frye, etc…) But an older version could have derived from a 1832 famous murder case, the murdering of Charles Silver by her wife Frances. Murder ballads sometimes are being changed in the course of time to fit a new event, to something people could relate more easily. It is said that soon after Frankie Baker got arrested for the murder of her lover, people started to “sing the news” in the streets, selling printed ballads about the affair. The first version of the song was called simply “Frankie killed Allen” and was composed by Bill Dooley a St.Louis pianist. [...] In the beginning it was popular mostly with afro-americans in the South but whites learned it soon from recordings of the popular Tin Pan Alley’s versions, except maybe for appalachian musicians who all heard black folk music and sang their own version of the song which is a bit different in the melody, usually under the name “Frankie Baker” (Listen to Tommy Jarrell, Fred Cockerham,Louise Foreacre and the Virginia Mountain Boys on my compilation, their versions are quite similar). The popularity of the song never decreased and became the subject of theater plays, movies, books. The universal themes of love, betrayal and murder coupled with a simple Blues structure, catchy words and melody made it the most common folk song played by american musicians and singers in the 20th century. Over the years it was shared by jazz players, rock n’roll teenage bands, folk singers, country and hilbilly musicians, Bluesmen, lounge singers. If there ever was a song that is public domain, this is it…''<br /> <br /> <br /> In the absence of any specific claims to authorship of this version, it is reasonable to treat this composition as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Frankie''' ''by Paul Clayton'' recorded in 1956 (according to [http://www.folkways.si.edu/paul-clayton/folksongs-and-ballads-of-virginia/american-folk/music/album/smithsonian www.folkways.si.edu]''): [http://open.spotify.com/track/6WuceywtotRZZh3d9zrhYS Spotify]<br /> '' ''<br /> ''According to [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02110.pdf liner notes], this is &quot;One of the most widely known of all American ballads, the origin and history of this piece are still largely a mystery. [...] The version Mr''<br /> ''Clayton sings here was collected in Wise County.''<br /> <br /> '''Frankie and Albert''' ''by Lead Belly'' unknown recording date, but Lead Belly died in 1949 ([http://en.wikipedia.org/wiki/Lead_Belly#Folkways_recordings wikipedia]): [http://open.spotify.com/track/7oJEIuJB523E5kDZuFOZYy Spotify]<br /> '' ''<br /> ''According to [http://www.discogs.com/viewimages?release=2970665 notes] on reverse of record cover, this, &quot;like many similar ballads in the tradition of other countries, is really a folk opera with Leadbelly sitting offstage, giving''<br /> ''stage directions. Note the similarity with Paul Clayton's &quot;collected&quot; version above.''<br /> <br /> '''Frankie and Johnny''' ''by Pete Seeger'' recorded in 1957 according to [http://www.folkways.si.edu/pete-seeger/american-favorite-ballads-vol-1/american-folk/music/album/smithsonian Folkways]): [http://open.spotify.com/track/0V6o9LlmrfyLesezoRKgqG Spotify]<br /> '' ''<br /> ''No claim to authorship or arrangement on [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02320.pdf liner notes]''<br /> <br /> '''Frankie And Johnny''' ''by Mrs. Oakley Fox'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=470 Max Hunter Collection]<br /> <br /> '''Frankie and Johnny''' ''by Lonnie Donegan'' recorded in 1956-62 (as this is taken from album ''The Collection 1956-1962''): [http://open.spotify.com/track/4EqyiWD8SvIOmJRpdxyikf Spotify]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_21&diff=7216 Parallel Anthology Track 21 2013-09-02T11:08:42Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 21: Mississippi John Hurt - Frankie''' ''Okeh 8560; Recorded in Memphis, Tennessee, 14.2.1928''<br /> <br /> <br /> [[File:Anthology Track 21 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does either Anthology booklet, or [http://www.78discography.com/OK8500.html www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=Frankie&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=mississippi&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 254. A [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=254&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud number search] returns a number of versions which pre-date Hurt's recording dating back to 1909 across a very wide geographical area (N Carolina, Texas, Kentucky, Missouri, California).<br /> <br /> <br /> According to the [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2010/01/frankie-mississippi-john-hurt.html Where Dead Voices Gather] blog:<br /> <br /> ''Like the story of Stackalee, &quot;Frankie&quot; is based on a documented real-life incident:''<br /> <br /> ''&quot;Allen Britt, colored, was shot and badly wounded shortly after 2 o’clock yesterday morning by Frankie Baker, also colored. The shooting occurred in Britt’s room at 212 Targee Street, and was the culmination of a quarrel. The woman claimed that Britt had been paying attentions to another woman. The bullet entered Britt’s abdomen, penetrating the intestines. The woman escaped after the shooting.&quot; - St Louis Globe-Democrat, October 16, 1899.''<br /> <br /> ''Somehow, this minor incident of domestic violence caught the public imagination and was immortalized in song. The first published version of the song appeared in 1904 and was copyrighted by Hughie Cannon. Another version was copyrighted by Frank and Bert Leighton in 1908, under the title &quot;Bill, You Done Me Wrong.&quot; It was republished in 1912 under the title &quot;Frankie and Johnny.&quot; Exactly when and how Albert (Al Britt) morphed into &quot;Johnny&quot; is unknown. It was in the 1912 version by the Leighton brothers, however, that Alice Frye turned into &quot;Nellie Bly.&quot; The now familiar melody of the song (not used in Hurt's version) was derived from an unrelated song (also published in 1912) titled &quot;You're My Baby,&quot; written by Nat Ayer. The song has been recorded at least 256 times over the years. It has been performed by Leadbelly, Johnny Cash, Sam Cooke, Lena Horne, Lonnie Donegan, Bob Dylan, Joe and Eddie, Taj Mahal, Charlie Patton, Charlie Poole, Jerry Lee Lewis, Elvis Presley (who also starred in a film version), Jimmie Rodgers, Gene Vincent, Fats Waller, Van Morrison, Michael Pappas, Brook Benton, Stevie Wonder, Jack Johnson, Michelle Shocked, and Lindsay Lohan, just to name a few.''<br /> <br /> <br /> Hughie Cannon died in 1912 ([http://en.wikipedia.org/wiki/Hughie_Cannon]), while Bert Leighton did not die until 1964 ([http://maewest.blogspot.co.uk/2011/02/mae-west-bert-leighton.html]). This means that the first version mentioned above has been '''public domain''' since '''1st January 1983''', while the second is '''in copyright''' until '''1st January 2035'''. However, it is unclear which of the two, if either, is related to the Anthology version, and the blog states that the &quot;familiar melody of the song [is] not used in Hurt's version&quot;. <br /> <br /> <br /> According to the [http://oldweirdamerica.wordpress.com/2009/04/26/21-frankie-by-mississippi-john-hurt/ Old Weird America] blog:<br /> <br /> ''With “Frankie and Johnny” (the most usual name of the song) we have a fine example of a folk song that entered the world of popular music via writers and composers of Tin Pan Alley (and later via Hollywood movies) who reshaped the old song and made a new version that became “the” version that everybody sang, included folksingers. How old and from which event came the original “Frankie and Albert” (The change to Johnny as the man’s name was made by Tin Pan Alley writers. Johnny sounded more good for them than Albert) was well debated over the years between scholars and folk music writers. Some said it goes back as far as the Civil War but the first printed versions were all from the early 20th century. The original ballad was of course inspired by the story of Frankie Baker, a young black girl who killed her lover Allen “Al” Britt in St-Louis in 1899 because he was flirting with another girl, Alice Pryor (it’s easy to see how “Al Britt” became ”Albert”, less for the girl’s name, who becomes Nellie Blye or Alice Frye, etc…) But an older version could have derived from a 1832 famous murder case, the murdering of Charles Silver by her wife Frances. Murder ballads sometimes are being changed in the course of time to fit a new event, to something people could relate more easily. It is said that soon after Frankie Baker got arrested for the murder of her lover, people started to “sing the news” in the streets, selling printed ballads about the affair. The first version of the song was called simply “Frankie killed Allen” and was composed by Bill Dooley a St.Louis pianist. [...] In the beginning it was popular mostly with afro-americans in the South but whites learned it soon from recordings of the popular Tin Pan Alley’s versions, except maybe for appalachian musicians who all heard black folk music and sang their own version of the song which is a bit different in the melody, usually under the name “Frankie Baker” (Listen to Tommy Jarrell, Fred Cockerham,Louise Foreacre and the Virginia Mountain Boys on my compilation, their versions are quite similar). The popularity of the song never decreased and became the subject of theater plays, movies, books. The universal themes of love, betrayal and murder coupled with a simple Blues structure, catchy words and melody made it the most common folk song played by american musicians and singers in the 20th century. Over the years it was shared by jazz players, rock n’roll teenage bands, folk singers, country and hilbilly musicians, Bluesmen, lounge singers. If there ever was a song that is public domain, this is it…''<br /> <br /> <br /> In the absence of any specific claims to authorship of this version, it is reasonable to treat this composition as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Frankie''' ''by Paul Clayton'' recorded in 1956 (according to [http://www.folkways.si.edu/paul-clayton/folksongs-and-ballads-of-virginia/american-folk/music/album/smithsonian www.folkways.si.edu]''): [http://open.spotify.com/track/6WuceywtotRZZh3d9zrhYS Spotify]<br /> '' ''<br /> ''According to [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02110.pdf liner notes], this is &quot;One of the most widely known of all American ballads, the origin and history of this piece are still largely a mystery. [...] The version Mr''<br /> ''Clayton sings here was collected in Wise County.''<br /> <br /> '''Frankie and Albert''' ''by Lead Belly'' unknown recording date, but Lead Belly died in 1949 ([http://en.wikipedia.org/wiki/Lead_Belly#Folkways_recordings wikipedia]): [http://open.spotify.com/track/7oJEIuJB523E5kDZuFOZYy Spotify]<br /> '' ''<br /> ''According to [http://www.discogs.com/viewimages?release=2970665 notes] on reverse of record cover, this, &quot;like many similar ballads in the tradition of other countries, is really a folk opera with Leadbelly sitting offstage, giving''<br /> ''stage directions. Note the similarity with Paul Clayton's &quot;collected&quot; version above.''<br /> <br /> '''Frankie and Johnny''' ''by Pete Seeger'' recorded in 1957 according to [http://www.folkways.si.edu/pete-seeger/american-favorite-ballads-vol-1/american-folk/music/album/smithsonian Folkways]): [http://open.spotify.com/track/7f8rXdjUQUZazho7fSMf82 Spotify]<br /> '' ''<br /> ''No claim to authorship or arrangement on [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02320.pdf liner notes]''<br /> <br /> '''Frankie And Johnny''' ''by Mrs. Oakley Fox'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=470 Max Hunter Collection]<br /> <br /> '''Frankie and Johnny''' ''by Lonnie Donegan'' recorded in 1956-62 (as this is taken from album ''The Collection 1956-1962''): [http://open.spotify.com/track/4EqyiWD8SvIOmJRpdxyikf Spotify]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_21&diff=7215 Parallel Anthology Track 21 2013-09-02T11:08:12Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 21: Mississippi John Hurt - Frankie''' ''Okeh 8560; Recorded in Memphis, Tennessee, 14.2.1928''<br /> <br /> <br /> [[File:Anthology Track 21 label.jpg |thumb| |left|]] Record label does not assign authorship. Nor does either Anthology booklet, or [http://www.78discography.com/OK8500.html www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=Frankie&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=mississippi&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 254. A [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=254&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud number search] returns a number of versions which pre-date Hurt's recording dating back to 1909 across a very wide geographical area (N Carolina, Texas, Kentucky, Missouri, California).<br /> <br /> <br /> According to the [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2010/01/frankie-mississippi-john-hurt.html Where Dead Voices Gather] blog:<br /> <br /> ''Like the story of Stackalee, &quot;Frankie&quot; is based on a documented real-life incident:''<br /> <br /> ''&quot;Allen Britt, colored, was shot and badly wounded shortly after 2 o’clock yesterday morning by Frankie Baker, also colored. The shooting occurred in Britt’s room at 212 Targee Street, and was the culmination of a quarrel. The woman claimed that Britt had been paying attentions to another woman. The bullet entered Britt’s abdomen, penetrating the intestines. The woman escaped after the shooting.&quot; - St Louis Globe-Democrat, October 16, 1899.''<br /> <br /> ''Somehow, this minor incident of domestic violence caught the public imagination and was immortalized in song. The first published version of the song appeared in 1904 and was copyrighted by Hughie Cannon. Another version was copyrighted by Frank and Bert Leighton in 1908, under the title &quot;Bill, You Done Me Wrong.&quot; It was republished in 1912 under the title &quot;Frankie and Johnny.&quot; Exactly when and how Albert (Al Britt) morphed into &quot;Johnny&quot; is unknown. It was in the 1912 version by the Leighton brothers, however, that Alice Frye turned into &quot;Nellie Bly.&quot; The now familiar melody of the song (not used in Hurt's version) was derived from an unrelated song (also published in 1912) titled &quot;You're My Baby,&quot; written by Nat Ayer. The song has been recorded at least 256 times over the years. It has been performed by Leadbelly, Johnny Cash, Sam Cooke, Lena Horne, Lonnie Donegan, Bob Dylan, Joe and Eddie, Taj Mahal, Charlie Patton, Charlie Poole, Jerry Lee Lewis, Elvis Presley (who also starred in a film version), Jimmie Rodgers, Gene Vincent, Fats Waller, Van Morrison, Michael Pappas, Brook Benton, Stevie Wonder, Jack Johnson, Michelle Shocked, and Lindsay Lohan, just to name a few.''<br /> <br /> <br /> Hughie Cannon died in 1912 ([http://en.wikipedia.org/wiki/Hughie_Cannon]), while Bert Leighton did not die until 1964 ([http://maewest.blogspot.co.uk/2011/02/mae-west-bert-leighton.html]). This means that the first version mentioned above has been '''public domain''' since '''1st January 1983''', while the second is '''in copyright''' until '''1st January 2035'''. However, it is unclear which of the two, if either, is related to the Anthology version, and the blog states that the &quot;familiar melody of the song [is] not used in Hurt's version&quot;. <br /> <br /> <br /> According to the [http://oldweirdamerica.wordpress.com/2009/04/26/21-frankie-by-mississippi-john-hurt/ Old Weird America] blog:<br /> <br /> ''With “Frankie and Johnny” (the most usual name of the song) we have a fine example of a folk song that entered the world of popular music via writers and composers of Tin Pan Alley (and later via Hollywood movies) who reshaped the old song and made a new version that became “the” version that everybody sang, included folksingers. How old and from which event came the original “Frankie and Albert” (The change to Johnny as the man’s name was made by Tin Pan Alley writers. Johnny sounded more good for them than Albert) was well debated over the years between scholars and folk music writers. Some said it goes back as far as the Civil War but the first printed versions were all from the early 20th century. The original ballad was of course inspired by the story of Frankie Baker, a young black girl who killed her lover Allen “Al” Britt in St-Louis in 1899 because he was flirting with another girl, Alice Pryor (it’s easy to see how “Al Britt” became ”Albert”, less for the girl’s name, who becomes Nellie Blye or Alice Frye, etc…) But an older version could have derived from a 1832 famous murder case, the murdering of Charles Silver by her wife Frances. Murder ballads sometimes are being changed in the course of time to fit a new event, to something people could relate more easily. It is said that soon after Frankie Baker got arrested for the murder of her lover, people started to “sing the news” in the streets, selling printed ballads about the affair. The first version of the song was called simply “Frankie killed Allen” and was composed by Bill Dooley a St.Louis pianist. [...] In the beginning it was popular mostly with afro-americans in the South but whites learned it soon from recordings of the popular Tin Pan Alley’s versions, except maybe for appalachian musicians who all heard black folk music and sang their own version of the song which is a bit different in the melody, usually under the name “Frankie Baker” (Listen to Tommy Jarrell, Fred Cockerham,Louise Foreacre and the Virginia Mountain Boys on my compilation, their versions are quite similar). The popularity of the song never decreased and became the subject of theater plays, movies, books. The universal themes of love, betrayal and murder coupled with a simple Blues structure, catchy words and melody made it the most common folk song played by american musicians and singers in the 20th century. Over the years it was shared by jazz players, rock n’roll teenage bands, folk singers, country and hilbilly musicians, Bluesmen, lounge singers. If there ever was a song that is public domain, this is it…''<br /> <br /> <br /> In the absence of any specific claims to authorship of this version, it is reasonable to treat this composition as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Frankie''' ''by Paul Clayton'' recorded in 1956 (according to [http://www.folkways.si.edu/paul-clayton/folksongs-and-ballads-of-virginia/american-folk/music/album/smithsonian www.folkways.si.edu]''): [http://open.spotify.com/track/6WuceywtotRZZh3d9zrhYS Spotify]<br /> '' ''<br /> ''According to [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02110.pdf liner notes], this is &quot;One of the most widely known of all American ballads, the origin and history of this piece are still largely a mystery. [...] The version Mr''<br /> ''Clayton sings here was collected in Wise County.''<br /> <br /> '''Frankie and Albert''' ''by Lead Belly'' unknown recording date, but Lead Belly died in 1949 ([http://en.wikipedia.org/wiki/Lead_Belly#Folkways_recordings wikipedia]): [http://open.spotify.com/track/7oJEIuJB523E5kDZuFOZYy Spotify]<br /> '' ''<br /> ''According to [http://www.discogs.com/viewimages?release=2970665 notes] on reverse of record cover, this, &quot;like many similar ballads in the tradition of other countries, is really a folk opera with Leadbelly sitting offstage, giving''<br /> ''stage directions. Note the similarity with Paul Clayton's &quot;collected&quot; version above.''<br /> <br /> '''Frankie and Johnny''' ''by Pete Seeger'' recorded in 1957 according to [http://www.folkways.si.edu/pete-seeger/american-favorite-ballads-vol-1/american-folk/music/album/smithsonian Folkways]): [http://open.spotify.com/track/7f8rXdjUQUZazho7fSMf82 Spotify]<br /> '' ''<br /> ''No claim to authorship or arrangement on [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02320.pdf liner notes''<br /> <br /> '''Frankie And Johnny''' ''by Mrs. Oakley Fox'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=470 Max Hunter Collection]<br /> <br /> '''Frankie and Johnny''' ''by Lonnie Donegan'' recorded in 1956-62 (as this is taken from album ''The Collection 1956-1962''): [http://open.spotify.com/track/4EqyiWD8SvIOmJRpdxyikf Spotify]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_14&diff=7214 Parallel Anthology Track 14 2013-09-02T11:02:23Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 14: Kelly Harrell and the Virginia String Band - My Name is John Johanna''' ''Victor 21520-A; Recorded in Camden, New Jersey, 23.3.1927''<br /> <br /> No image of record label available. [http://www.78discography.com/vic21500.html www.78discography.com] does not assign authorship, nor does [http://victor.library.ucsb.edu/index.php/matrix/detail/800012493/BVE-38235-My_name_is_John_Johanna victor.library.ucsb.edu] or either Anthology booklet.<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=4619&amp;field=20&amp;fieldshow=multi&amp;op_9=or&amp;field_9=johanna&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 257. A Roud number search for this song [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=4619&amp;field=20&amp;fieldshow=multi&amp;op_9=or&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=257&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query] returns a number of records of versions collected prior to Harrell's recording, dating as early as 1906, and across a wide geographical area (Kentucky, N Carolina, Missouri, Virginia, W Virginia).<br /> <br /> <br /> According to the [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2009/12/my-name-is-john-johanna-kelly-harrell.html Where Dead Voices Gather] blog, &quot;'My Name Is John Johanna' aka 'The State of Arkansas' is a humorous song which comes from the minstrel stage, likely dating the song between the 1820s and the 1840s, during which blackface minstrelsy was at its height. The song tells the story of an unfortunate young man who finds himself appalled at the living and working conditions in Arkansas. The state of Arkansas was admitted to the Union in 1836. This song draws on fairly typical frontier stereotypes, Arkansas being largely untamed wilderness during the mid-19th century.&quot;<br /> <br /> <br /> It seems likely that this composition is '''public domain''', and there is no firm evidence to contradict this assumption as yet.<br /> <br /> <br /> In any case, according to [http://en.wikipedia.org/wiki/Kelly_Harrell wikipedia], Kelly Harrell died in 1942, so even if this recording is Harrell's own copyrighted version of a traditional folk song, this composition has been '''public domain''' since '''1st January 2013'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> <br /> '''Uncle Dave's Travels Part One (Misery in Arkansas)''' ''by Uncle Dave Macon'' recorded in 1929 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=257&amp;amp;op_10=notempty&amp;amp;op_9=and&amp;amp;start=21&amp;amp;output=Record&amp;access=off RFSI]): [http://www.youtube.com/watch?v=8mSdD-yv5rM YouTube] (First part of clip only, from 0:15 to 2:50)<br /> '' ''<br /> ''Unable to find image of record label, so unclear if Macon asserted copyright over this version/arrangement.''<br /> <br /> '''Arkansas''' ''by Henry Thomas'' recorded in 1927 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=thomas&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=257&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query RFSI]): [http://open.spotify.com/track/1GLOi3dBRa5wbThCEESTUU Spotify]<br /> '' ''<br /> ''Unable to find image of record label, so unclear if Thomas asserted copyright over this version/arrangement.''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_7&diff=7213 Parallel Anthology Track 7 2013-09-02T10:57:53Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 7: Buell Kazee - The Wagoner's Lad''' ''Brunswick 213-B; Recorded in New York, 18.1.1928''<br /> <br /> No image of record label available. Neither Anthology booklet assigns authorship, nor does [http://www.78discography.com/BRN100.htm www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=or&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=kazee&amp;op_17=or&amp;field_17=&amp;op_10=or&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=414&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 414, and also lists a version collected by Cecil Sharp in 1908. [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=book&amp;amp;field_20=414&amp;amp;field_10=1908&amp;amp;start=1&amp;amp;output=Record&amp;access=off] Perhaps the book which contains this version (English Folk-Songs Southern Appalachians 2) has more information about the origins of this song?<br /> <br /> <br /> It seems reasonable to treat this composition as '''public domain''', although the evidence for this is not particularly firm as yet.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''The Wagoner's Lad''' ''by Peggy Seeger'' album released in 1955: [http://open.spotify.com/track/72M8di8susU3HZmd2MwuKS Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] make no claim to copyright for writing or arranging.''<br /> <br /> '''The Wagoner's Lad''' ''by Pete Seeger'' album released in 1957: Available in BL, shelfmark 1LP0082764: [http://open.spotify.com/track/2DGvqU1CYrXJQx2JQkHGkQ Spotify]<br /> <br /> '''Pretty Saro''' ''by Guy Carawan'' album released in 1959 (according to [http://www.folkways.si.edu/guy-carawan/sings-something-old-new-borrowed-and-blue-vol-2/american-folk/music/album/smithsonian www.folkways.si.edu]: [http://open.spotify.com/track/7t3AzXpRyQaPULe1o2PURj Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] say &quot;This version from Sharp's English Folk Songs of the Southern Appalachians, Vol. II, page 12, was popularized among city singers first by Elizabeth Harold and''<br /> ''Hally Wood.&quot;''<br /> <br /> '''The Rose of Naideen''' ''by Mrs. Laura McDonald'' recorded in 1958: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=207 Max Hunter Collection]<br /> <br /> '''My Horses Ain't Hungry''' ''by Mrs. Haden Robinson'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=569 Max Hunter Collection]<br /> <br /> '''My Horses Ain't Hungry''' ''by Mrs. Kenneth Wright and Mrs. Gladys Jennings'' recorded in 1960: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=485 Max Hunter Collection]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_81&diff=7212 Parallel Anthology Track 81 2013-08-30T18:29:38Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Unknown_Status.jpg]] '''Track 81: Memphis Jug Band - K C Moan''' ''Victor 38553; Recorded in Memphis, Tennessee, 4.10.1929''<br /> <br /> <br /> [[File:Anthology Track 81 label.jpg |thumb| |left|]] Record label assigns authorship to &quot;Tewee Blackman&quot;, as does [http://victor.library.ucsb.edu/index.php/matrix/detail/800027283/BVE-56346-K._C._moan victor.library.ucsb.edu]. <br /> <br /> <br /> However, no information is available on Blackman's death date, so the copyright status of this composition is '''unknown'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''K C Railroad Blues''' ''by Andrew and Jim Baxter'' recorded between 1924-38 according to album title. Available in BL shelfmark 1LP0119121<br /> <br /> '''C &amp; O Whistle''' ''by The Fruit Jar Guzzlers'' recorded in 1928 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=32&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/7mLBVjI7hmUZkea47tZROV Spotify]<br /> <br /> '''Blowin' down this road''' ''by Woody Guthrie'' recorded in 1940 (according to [http://en.wikipedia.org/wiki/Dust_Bowl_Ballads wikipedia]): [http://open.spotify.com/track/3b0yg1dP4Rmh3C0tES3c6y Spotify]<br /> '' ''<br /> ''In [http://media.smithsonianfolkways.org/liner_notes/folkways/FW05212.pdf liner notes] for album containing this version Guthrie says he &quot;wrote up&quot; this and the other songs on the album.''<br /> <br /> '''Lonesome Road Blues''' ''by Ernest Stoneman and Kahle Brewer'' recorded in 1927 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=19&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/5zPuAaOdiOKaXjvD6T5Gmm Spotify]<br /> <br /> [[File:Cliff Carlisle Down the Road label.jpg |thumb| |left|]]'''Goin’ Down The Road Feelin’ Bad''' ''by Cliff Carlisle'' recorded in 1933 (according to [http://en.wikipedia.org/wiki/Cliff_Carlisle#Discography wikipedia]): [http://www.youtube.com/watch?v=HREYHiik4wg YouTube]<br /> '' ''<br /> ''Record label makes no claim to authorship or arrangement''<br /> <br /> '''Down South Where the Sugar Cane Grows''' ''by Fiddlin' John Carson'' recorded in 1929 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=10&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/2PzTFEteYaTgbwFlhJvPkh Spotify] <br /> <br /> '''I'm going down the road''' ''by J Kearns Planche'' recorded in 1950: [http://econtent.unm.edu/cdm/compoundobject/collection/RobbFieldRe/id/6194/show/3991/rec/4 University of New Mexico]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''I'm going down this road feelin' bad''' ''by Warde Ford'' recorded in 1938: [http://memory.loc.gov/cgi-bin/query/D?cowellbib:60:./temp/~ammem_gDDQ::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''Going Down The Road Feeling Bad''' ''by Ruth Huber and Lois Judd'' recorded in 1941: [http://memory.loc.gov/cgi-bin/query/D?toddbib:1:./temp/~ammem_6Xdh::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''I'm Goin' Down The Road Feelin' Bad''' ''by Gussie Ward Stone'' recorded in 1940: [http://memory.loc.gov/afc/afcts/audio/410/4103b1.mp3 Library of Congress]<br /> '' ''<br /> ''N.B. The link provided here goes directly to the audio file. For the information page (giving the name of the performer, the date of recording and a link to the audio file),''<br /> ''go to the Library of Congress's [http://memory.loc.gov/ammem/browse/ search facility] and search for &quot;Gussie Ward Stone&quot;.''<br /> '' ''<br /> ''Field recording''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_81&diff=7211 Parallel Anthology Track 81 2013-08-30T18:29:27Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Unknown_Status.jpg]] '''Track 81: Memphis Jug Band - K C Moan''' ''Victor 38553; Recorded in Memphis, Tennessee, 4.10.1929''<br /> <br /> <br /> [[File:Anthology Track 81 label.jpg |thumb| |left|]] Record label assigns authorship to &quot;Tewee Blackman&quot;, as does [http://victor.library.ucsb.edu/index.php/matrix/detail/800027283/BVE-56346-K._C._moan victor.library.ucsb.edu]. <br /> <br /> <br /> However, no information is available on Blackman's death date, so the copyright status of this composition is '''unknown'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''K C Railroad Blues''' ''by Andrew and Jim Baxter'' recorded between 1924-38 according to album title. Available in BL shelfmark 1LP0119121<br /> <br /> '''C &amp; O Whistle''' ''by The Fruit Jar Guzzlers'' recorded in 1928 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=32&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/7mLBVjI7hmUZkea47tZROV Spotify]<br /> <br /> '''Blowin' down this road''' ''by Woody Guthrie'' recorded in 1940 (according to [http://en.wikipedia.org/wiki/Dust_Bowl_Ballads wikipedia]): [http://open.spotify.com/track/3b0yg1dP4Rmh3C0tES3c6y Spotify]<br /> '' ''<br /> ''In [http://media.smithsonianfolkways.org/liner_notes/folkways/FW05212.pdf liner notes] for album containing this version Guthrie says he &quot;wrote up&quot; this and the other songs on the album.''<br /> <br /> '''Lonesome Road Blues''' ''by Ernest Stoneman and Kahle Brewer'' recorded in 1927 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=19&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/5zPuAaOdiOKaXjvD6T5Gmm Spotify]<br /> <br /> [[File:Cliff Carlisle Down the Road label.jpg |thumb| |left|]]'''Goin’ Down The Road Feelin’ Bad''' ''by Cliff Carlisle'' recorded in 1933 (according to [http://en.wikipedia.org/wiki/Cliff_Carlisle#Discography wikipedia]): [http://www.youtube.com/watch?v=HREYHiik4wg YouTube]<br /> '' ''<br /> ''Record label makes no claim to authorship or arrangement''<br /> <br /> '''Down South Where the Sugar Cane Grows''' ''by Fiddlin' John Carson'' recorded in 1929 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=4958&amp;amp;start=10&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/2PzTFEteYaTgbwFlhJvPkh Spotify] <br /> <br /> '''I'm going down the road''' ''by J Kearns Planche'' recorded in 1950: [http://econtent.unm.edu/cdm/compoundobject/collection/RobbFieldRe/id/6194/show/3991/rec/4 University of New Mexico]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''I'm going down this road feelin' bad''' ''by Warde Ford'' recorded in 1938: [http://memory.loc.gov/cgi-bin/query/D?cowellbib:60:./temp/~ammem_gDDQ::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''Going Down The Road Feeling Bad''' ''by Ruth Huber and Lois Judd'' recorded in 1941: [http://memory.loc.gov/cgi-bin/query/D?toddbib:1:./temp/~ammem_6Xdh::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''I'm Goin' Down The Road Feelin' Bad''' ''by Gussie Ward Stone'' recorded in 1940: [http://memory.loc.gov/afc/afcts/audio/410/4103b1.mp3 Library of Congress]<br /> '' ''<br /> ''N.B. The link provided here goes directly to the audio file. For the information page (giving the name of the performer, the date of recording and a link to the audio file),''<br /> ''go to the Library of Congress's [http://memory.loc.gov/ammem/browse/ search facility] and search for &quot;Gussie Ward Stone&quot;.''<br /> '' ''<br /> ''Field recording''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_64&diff=7210 Parallel Anthology Track 64 2013-08-30T18:16:07Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Public_Domain.jpg]] '''Track 64: Mr and Mrs Ernest V Stoneman - The Mountaineer's Courtship''' ''Okeh 45125; Recorded in New York, 12.5.1927''<br /> <br /> <br /> No image of record label available. Neither Anthology booklet assigns authorship, nor does [http://www.78discography.com/OK45000.html www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;op_13=and&amp;amp;field_9=mountaineer%27s%20courtship&amp;amp;op_9=and&amp;amp;start=3&amp;amp;output=Record&amp;access=off Roud Folksong Index] classifies this song as a version of Roud 313. A [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_20=313&amp;amp;op_10=notempty&amp;amp;op_13=and&amp;amp;op_9=and&amp;amp;start=22&amp;amp;output=Record&amp;access=off Roud number search] returns several versions which pre-date the Stonemans' recording, all from England, with one dating back to the 18th century.<br /> <br /> <br /> According to the [http://theanthologyofamericanfolkmusic.blogspot.co.uk/2010/06/mountaineers-courtship-mr-and-mrs.html Where Dead Voices Gather] blog, &quot;Some sources claim that the song goes back as far as the 1600s&quot;, while the [http://oldweirdamerica.wordpress.com/2012/06/20/64-65-the-mountaineers-courtship-and-the-spanish-merchants-daughter-by-mr-mrs-ernest-v-stoneman/ Old Weird America] blog claims that it &quot;has its origin in an old British ballad from the 17th century called 'Nicol O’Cod'&quot;.<br /> <br /> <br /> The tune used for this song is the same as the nursery rhyme &quot;The Old Grey Goose&quot; or &quot;Go Tell Aunt Nancy&quot;<br /> <br /> <br /> In any case, there are very good grounds for treating this composition as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative versions ==<br /> <br /> '''Mountaineer's Courtship''' ''by Jean Ritchie'' recorded in 1951. Available in BL shelfmark : 1LP0160566<br /> <br /> '''Buffalo Boy''' ''by Theodore Bikel'' recorded in 1961 (according album's subtitle): [http://open.spotify.com/track/5xrlYv4I4X5rUR2rJP3Ksz Spotify]<br /> '' ''<br /> ''Unable to determine whether any arrangement credit is claimed for this version.''<br /> <br /> '''Go Tell Aunt Rhody''' ''by Woody Guthrie'' recorded in 1944 (according to [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40112.pdf liner notes]): [http://open.spotify.com/track/46z5EOfsxnEdiWMuW2olbv Spotify]<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40112.pdf liner notes] for this album credit this song as &quot;traditional&quot;''<br /> <br /> '''Go Tell Aunt Nancy''' ''by Mrs Shirley Lomax Mansell'' recorded in 1939: [http://memory.loc.gov/cgi-bin/query/D?lomaxbib:3:./temp/~ammem_1X5J::@@@mdb=mcc,gottscho,detr,nfor,wpa,aap,cwar,bbpix,cowellbib,calbkbib,consrvbib,bdsbib,dag,fsaall,gmd,pan,vv,presp,varstg,suffrg,nawbib,horyd,wtc,toddbib,mgw,ncr,ngp,musdibib,hlaw,papr,lhbumbib,rbpebib,lbcoll,alad,hh,aaodyssey,magbell,bbc,dcm,raelbib,runyon,dukesm,lomaxbib,mtj,gottlieb,aep,qlt,coolbib,fpnas,aasm,denn,relpet,amss,aaeo,mff,afc911bib,mjm,mnwp,rbcmillerbib,molden,ww2map,mfdipbib,afcnyebib,klpmap,hawp,omhbib,rbaapcbib,mal,ncpsbib,ncpm,lhbprbib,ftvbib,afcreed,aipn,cwband,flwpabib,wpapos,cmns,psbib,pin,coplandbib,cola,tccc,curt,mharendt,lhbcbbib,eaa,haybib,mesnbib,fine,cwnyhs,svybib,mmorse,afcwwgbib,mymhiwebib,uncall,afcwip,mtaft,manz,llstbib,fawbib,berl,fmuever,cdn,upboverbib,mussm,cic,afcpearl,awh,awhbib,sgp,wright,lhbtnbib,afcesnbib,hurstonbib,mreynoldsbib,spaldingbib,sgproto,scsmbib,afccalbib,mamcol Library of Congress]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''The Old Grey Goose''' ''by the Carolina Tar Heels'' recorded in 1929 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=tar&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=3346&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query RFSI]): [http://open.spotify.com/track/55iWcWBN5M700zFCkjqZUe Spotify]<br /> '' ''<br /> ''[http://victor.library.ucsb.edu/index.php/matrix/detail/800024236/BVE-51079-The_old_gray_goose victor.library.ucsb.edu] does not claim any arrangement credit for this version.''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_67&diff=7209 Parallel Anthology Track 67 2013-08-30T18:14:53Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 67: The Carter Family - Single Girl, Married Girl''' ''Victor 209370-A; Recorded in Bristol, Tennessee, 2.8.1927''<br /> <br /> <br /> [[File:Anthology Track 67 label.jpg |thumb| |left|]] Record label assigns authorship to A P Carter. <br /> <br /> <br /> According to [http://en.wikipedia.org/wiki/A.P._Carter wikipedia], A P Carter died in 1960.<br /> <br /> <br /> This composition is in '''copyright''' until '''1st January 2031'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Single Girl''' ''by Jean Ritchie'' recorded in 1951. Available in BL shelfmark : 1LP0160566<br /> <br /> '''When I was Single''' ''by Peggy Seeger'' album released in 1955: [http://open.spotify.com/track/1vrEVgz2ff1jEwKaaORuO0 Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02049.pdf Liner notes] make no claim to copyright for writing or arranging.''<br /> <br /> '''The Drunken Man''' ''by D. J. &quot;Dom&quot; Ingenthron'' recorded in 1958: [http://maxhunter.missouristate.edu/songinformation.aspx?ID=191 Max Hunter Collection]<br /> '' ''<br /> ''Field recording''<br /> <br /> '''Single Girl''' ''by Julius Sutton'' recorded in 1925 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=2&amp;amp;output=Record&amp;access=off RFSI]): [http://www.loc.gov/folklife/Gordon/sideAband7.html American Folklife Centre]<br /> '' ''<br /> ''The information page which accompanies the recording implies that there is nothing original about this version.''<br /> <br /> '''[[File:Kelly Harrell Single Girl label.jpg |thumb| |left|]] I Wish I was a Single Girl Again''' ''by Kelly Harrell'' recorded in 1925 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=5&amp;amp;output=Record&amp;access=off RFSI]): [http://www.youtube.com/watch?v=q85c9FwGOK4 YouTube]<br /> '' ''<br /> ''Record label does not claim authorship or arrangement credit. Nor does [http://victor.library.ucsb.edu/index.php/matrix/detail/800005838/B-31586-I_wish_I_was_a_single_girl_again victor.library.ucsb.edu].''<br /> <br /> '''I Wish I were a Single Girl Again''' ''by Roscoe Holcombe'' recorded in 1959 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=7&amp;amp;output=Record&amp;access=off RFSI]): [http://www.youtube.com/watch?v=ojFVnBOsRzU YouTube]<br /> <br /> '''I Wish I was a Single Girl Again''' ''by Frank Proffitt'' recorded in 1941 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=10&amp;amp;output=Record&amp;access=off RFSI]): [http://open.spotify.com/track/1mpoGYnXi1dPplB3P380ml Spotify]<br /> <br /> '''I Wish I was a Single Girl Again''' ''by Vernon Dalhart'' recorded in the 1920s (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;amp;fieldshow=multi&amp;amp;field_14=recording&amp;amp;field_20=436&amp;amp;op_0=and&amp;amp;start=38&amp;amp;output=Record&amp;access=off RFSI]): [http://www.youtube.com/watch?v=4CX6Ynpj9d4 YouTube]</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_62&diff=7208 Parallel Anthology Track 62 2013-08-30T17:39:00Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_Unknown_Status.jpg]] '''Track 62: Dock Boggs - Sugar Baby''' ''Brunswick 118-B; Recorded in New York, 9.3.1927''<br /> <br /> <br /> No image of record label available. Neither Anthology booklet assigns authorship, nor does [http://www.78discography.com/BRN100.htm www.78discography.com].<br /> <br /> <br /> The [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=precise&amp;field_9=sugar+baby&amp;op_12=or&amp;field_12=&amp;op_13=and&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=boggs&amp;op_17=or&amp;field_17=&amp;op_10=or&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud Folksong Index] classifies this song as a version of Roud 5731, but a [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=or&amp;field_9=&amp;op_12=or&amp;field_12=&amp;op_13=and&amp;field_13=&amp;op_14=or&amp;field_14=&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=5731&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query Roud number search] returns no versions which pre-date Boggs' recording.<br /> <br /> <br /> According to the [http://oldweirdamerica.wordpress.com/2012/03/15/62-sugar-baby-by-dock-boggs/ Old Weird America] blog:<br /> <br /> ''“Sugar Babe” belongs to a family of “rounder” songs, cultivated especially by young men, carefree and assertive in spirit, often risqué and in the Appalachian South associated in the early part of the last century with the five-string banjo. Afro-american influences show up frequently in the “rounder” songs and it is possible that “Sugar Babe” itslef has afro-american connections. [...] Sugar Baby or Red Rocking Chair is a widespread folk song, found in the repertoire of a lot banjo players in the South, and still very popular today with old-time and folk musicians.''<br /> <br /> <br /> There are good grounds for treating this composition as '''public domain'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Sugar Baby''' ''by Paul Clayton'' album released in 1957 (according to [http://www.folkways.si.edu/paul-clayton/cumberland-mountain-folksongs/american-folk/music/album/smithsonian folkways.si.edu]): [http://open.spotify.com/track/0Ud6xOCjnqvmHSFdYiYHJb Spotify]<br /> '' ''<br /> ''According to [http://media.smithsonianfolkways.org/liner_notes/folkways/FW02007.pdf liner notes], &quot;Clayton collected this version from Finlay Adams of Big Laurel Virginia&quot;. No arrangement credit claimed.''<br /> <br /> '''Red Rocking Chair''' ''by Charlie Monroe &amp; his Kentucky Pardners'' recorded in 1949 (according to [http://library.efdss.org/cgi-bin/query.cgi?index_roud=on&amp;cross=off&amp;type=Song&amp;access=off&amp;op=or&amp;query=&amp;field=all&amp;fieldshow=multi&amp;op_9=and&amp;field_9=red+rocking+chair&amp;op_12=or&amp;field_12=&amp;op_13=or&amp;field_13=&amp;op_14=or&amp;field_14=recording&amp;op_15=or&amp;field_15=&amp;op_47=or&amp;field_47=&amp;op_16=or&amp;field_16=&amp;op_0=or&amp;field_0=&amp;op_17=or&amp;field_17=&amp;op_10=notempty&amp;field_10=&amp;op_11=or&amp;field_11=&amp;op_18=or&amp;field_18=&amp;op_19=or&amp;field_19=&amp;op_20=or&amp;field_20=&amp;op_21=or&amp;field_21=&amp;op_22=or&amp;field_22=&amp;op_23=or&amp;field_23=&amp;op_24=or&amp;field_24=&amp;op_5=or&amp;field_5=&amp;op_25=or&amp;field_25=&amp;op_26=or&amp;field_26=&amp;output=Record&amp;length=5&amp;submit=Submit+query RFSD]): [http://www.youtube.com/watch?v=mBmT3LQuKUI YouTube]<br /> '' ''<br /> ''Unable to determine whether any authorship or arrangement credit is claimed for this version.''<br /> <br /> '''Red Rocking Chair''' ''by the New Lost City Ramblers'' recorded in 1961 (according to [http://www.folkways.si.edu/the-new-lost-city-ramblers/vol-3/american-folk-old-time/music/album/smithsonian www.folkways.si.edu]): [http://open.spotify.com/track/1w7nzshEBwScSB23Fj3Rh0 Spotify]<br /> '' ''<br /> ''[http://media.smithsonianfolkways.org/liner_notes/folkways/FW02398.pdf Liner notes] for this album refer to previous Charlie Monroe version (above) as source.''</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_59&diff=7207 Parallel Anthology Track 59 2013-08-30T17:32:54Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 59: Cannon's Jug Stompers with Noah Lewis - Minglewood Blues''' ''Victor 21267A; Recorded in Memphis, Tennessee, 30.1.28''<br /> <br /> [[File:Anthology Track 59 label.jpg |thumb| |left|]] Record label accredits authorship to Noah Lewis, as do both anthology booklets.<br /> <br /> <br /> According to [http://en.wikipedia.org/wiki/Noah_Lewis wikipedia], Lewis died in 1961, which would put this composition '''in copyright''' until '''1st January 2032'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative versions ==<br /> <br /> This composition is '''in copyright''' so no alternative versions exist in the public domain.</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_54&diff=7206 Parallel Anthology Track 54 2013-08-30T17:18:27Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 54: Ernest Phipps and his Holiness Singers - Shine On Me''' ''Bluebird 5540-A; Recorded in Bristol, Tennessee, 29.11.1928''<br /> <br /> <br /> No image of record label available. Harry Smith's Anthology Booklet assigns authorship to &quot;E Phipps&quot;, although [http://www.78discography.com/BB5500.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> The &quot;about&quot; section of this YouTube clip of a recording of a different song by Phipps and his singers [http://www.youtube.com/watch?v=ePZBF2jf1i4] quotes from the &quot;Encyclopedia of Appalachia&quot; that Ernest Phipps died in 1963.<br /> <br /> <br /> This would imply that this composition is '''in copyright''' until '''1st January 2034'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog:<br /> <br /> ''Some verses of “Shine on me”, sung on the Anthology by Ernest Phipps &amp; His Holiness Singers come from of a 19th century hymn called “Maitland” by George N. Allen which was sung with the words of “Must Jesus Bear The Cross Alone”, a text by Thomas Sheperd. But the chorus (“Shine on me” ) comes from a popular african-american spiritual “Let the light from the lighthouse shine on me” that was recorded many times during the last century.''<br /> <br /> <br /> According to [http://cyberhymnal.org/htm/m/u/mustjesu.htm cyberhymnal.org], “Must Jesus Bear The Cross Alone” has word written by Thomas Shepherd (died 1739: [http://cyberhymnal.org/bio/s/h/shepherd_t.htm]) and music written by George N Allen (died 1877: [http://cyberhymnal.org/bio/a/l/l/allen_gn.htm]). This hymn is therefore '''public domain'''.<br /> <br /> <br /> <br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> <br /> == Alternative Versions ==<br /> <br /> '''Let Your Light Shine on Me''' ''by Blind Willie Johnson'' recorded in 1929: Streamable from the [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog.<br /> '' ''<br /> ''The [http://media.smithsonianfolkways.org/liner_notes/folkways/FWRBF10.pdf liner notes] for a Folkways album containing the same version of this song make no claim to arrangement credit for this version.<br /> <br /> '''Must Jesus Bear This Cross Alone''' ''by Sam Cooke'' recorded in 1956 (according to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site]): [http://open.spotify.com/track/3ST8tqtjfO4aFARzKWUjCs Spotify]<br /> '' ''<br /> ''According to [http://songsofsamcooke.com/soulstirrers/must_jesus_bear_this_cross_alone.htm this site], Sam Cooke has an arrangement credit for this version. According to [http://en.wikipedia.org/wiki/Sam_Cooke wikipedia], Cooke died in 1964, so this version is '''in copyright''' until '''1st January 2015''.<br /> <br /> The [http://oldweirdamerica.wordpress.com/2011/05/06/54-shine-on-me-by-ernest-phipps-his-holiness-singers/ Old Weird America] blog provides streams of several other versions whose copyright status is not yet determined, except for the Lead Belly version, which according to the [http://media.smithsonianfolkways.org/liner_notes/smithsonian_folkways/SFW40044.pdf liner notes] for a Folkways album containing the same version of the song has an arrangement credit for &quot;Huddie Ledbetter/TRO-Folkways Music, Inc., BMI&quot;.<br /> <br /> Blog tracks are:<br /> *Shine on Me by the Wiseman Sextette recorded in 1923<br /> *Shine on Me by Bryant’s Jubilee Quartet recorded in 1928<br /> *Shine on Me by the Fisk Jubilee Singers recorded in the 1930s<br /> *Shine on Me by the Cliff Carlisle Quintet recorded in the 1930s<br /> *Shine on Me by the Swan Silverstones recorded in the 1950s<br /> *Shine on Me by the Kings of Harmony recorded in the 1950s<br /> *Shine on Me by the Soul Stirrers recorded in the 1950s<br /> *Shine on Me by the Reverend Gary Davis recorded in 1954</div> Mattwhiteski http://www.openmusicarchive.org/projects/index.php?title=Parallel_Anthology_Track_41&diff=7205 Parallel Anthology Track 41 2013-08-30T16:46:29Z <p>Mattwhiteski: </p> <hr /> <div> [[File:Icon_In_Copyright.jpg]] '''Track 41: Frank Cloutier and the Victoria Cafe Orchestra - Moonshiner's Dance Part I''' ''Gennett 6305-A; Recorded in St Paul, Minnessota, 1927''<br /> <br /> <br /> [[File:Anthology Track 41 Label.jpg |thumb| |left|]] Record label assigns authorship to &quot;Cloutier&quot; as do the notes in Harry Smith's Anthology booklet, although [http://www.78discography.com/GNT6000.htm www.78discography.com] does not assign authorship.<br /> <br /> <br /> [[File:Frank Cloutier Grave.jpg |thumb|]] Frank Cloutier's grave (picture taken from [http://www.celestialmonochord.org/the_moonshiners_dance/ www.celestialmonochord.org]) shows that he died in 1957, meaning that this composition is '''in copyright''' until '''1st January 2028'''.<br /> <br /> <br /> However, according to the [http://oldweirdamerica.wordpress.com/2010/10/12/41-moonshiners-dance-part-1-by-frank-cloutier-the-victoria-cafe-orchestra/ Old Weird America] blog, &quot;The Moonshiner’s Dance is a medley of old popular songs in a jazzy, polka style, punctuated by talks, laughs and the shouting “One, two, three, four” between each tune,&quot; the tunes being:<br /> <br /> <br /> '''When You and I Were Young, Maggie'''<br /> <br /> According to [http://en.wikipedia.org/wiki/When_You_and_I_Were_Young,_Maggie wikipedia], the lyrics were written by George Washington Johnson who died in 1917, and the music by James Austin Butterfield who died in 1891 [http://en.wikipedia.org/wiki/James_Austin_Butterfield], thus this song is '''public domain'''.<br /> <br /> <br /> '''How Dry I Am'''<br /> <br /> According to [http://en.wikipedia.org/wiki/How_Dry_I_Am wikipedia], this song was written by Irving Berlin, who died in 1989 ([http://en.wikipedia.org/wiki/Irving_Berlin]) and so is '''in copyright''' until '''1st January 2060'''.<br /> <br /> <br /> '''At the Cross'''<br /> <br /> According to [http://oldweirdamerica.wordpress.com/2010/10/12/41-moonshiners-dance-part-1-by-frank-cloutier-the-victoria-cafe-orchestra/ Old Weird America], this song was &quot;written by Isaac Watts and Ralph E. Hudson and first published in the first edition of Hymns and Spiritual Songs, 1707&quot;, and so is '''public domain'''.<br /> <br /> <br /> '''When You Wore a Tulip'''<br /> <br /> Written by Percy Wenrich and Jack Mahoney. According to [http://en.wikipedia.org/wiki/Percy_Wenrich wikipedia], Wenrich died in 1952, so this song is '''in copyright''' until at least '''1st January 2023'''.<br /> <br /> <br /> [[Parallel Anthology Research|Parallel anthology main index page]]<br /> <br /> <br /> == Alternative versions ==<br /> <br /> The [http://oldweirdamerica.wordpress.com/2010/10/12/41-moonshiners-dance-part-1-by-frank-cloutier-the-victoria-cafe-orchestra/ Old Weird America] blog provides for four versions of ''When You and I Were Young, Maggie'', three of which are pre-1962, and three of ''At the Cross'', all of which are streamable.<br /> <br /> '''When You and I Were Young, Maggie''' ''by Horst Geldmacher'' recorded in 1958 (according to BL Catalogue): [http://cadensa.bl.uk/uhtbin/cgisirsi/?ps=QvSRFJLvNg/WORKS-FILE/55970048/9 BL] (needs to be ordered in advance.<br /> '' ''<br /> ''According to BL catalogue, credited to Butterfield''<br /> <br /> '''At the Cross''' ''by Fiddlin' John Carson'' recorded in 1930, available at BL, shelfmark 1LP0157650</div> Mattwhiteski