Barragán Sound System - Revision history

Projects: /* Background */

2013-07-06T20:19:59Z

Background

Projects: /* Background */

2013-07-06T20:09:05Z

Background

Projects at 20:04, 6 July 2013

2013-07-06T20:04:53Z

Projects at 20:00, 6 July 2013

2013-07-06T20:00:10Z

Projects at 10:21, 5 March 2013

2013-03-05T10:21:23Z

Projects at 10:21, 5 March 2013

2013-03-05T10:21:00Z

Projects at 10:20, 5 March 2013

2013-03-05T10:20:34Z

Projects: /* Background */

2013-01-04T15:42:14Z

Background

Projects: /* Preamble */

2012-11-25T10:57:47Z

Preamble

Projects: /* Preamble */

2012-11-25T10:54:17Z

Preamble

@@ Line 16: / Line 16: @@
 ''Open Music Archive has been invited by [http://desitio.net/ de_sitio] to develop a research and production residency that takes as a departure point, the music archive of [http://www.casaluisbarragan.org/ Casa Estudio Luis Barragán]. Part funded by [http://www.miriad.mmu.ac.uk/ MIRIAD].
 ''
-Through their research at Casa Barragán, artists Eileen Simpson and Ben White have explored the legal terrain of the music in Barragán’s record collection – particularly in relation to the complex web of propriety rights locked within the recordings. At the present time Mexico currently boasts the most restrictive copyright law worldwide, with legal revisions in 1994 and 2003 extending copyright in recorded sound to 100 years from both the date of recording and the death of the author. The artists gleaned material from the collection that achieved the status ‘copyright-expired’ before the legal changes, in an attempt to extract public domain music and audio fragments from vinyl and shellac 78s.
+Open Music Archive delve into the personal archive of Mexican architect [http://en.wikipedia.org/wiki/Luis_Barrag%C3%A1n Luis Barragán] (1902-1988) and explore the architect’s record collection, housed in his former private residence. Barragán, well known for his devotion to the practice of solitude, clearly sought refuge in music. Record players and speaker systems are installed in almost every room in his house (including the garden) and the entire house operates as a kind of playback system.
 Barragán Sound System is a live event using public archive recordings as source material, with guest producers invited to process and remix through short live performances. The event, which takes place during the week of Día de los Muertos, brings to life works, with a legal status identified primarily through the date of the death of the author. Barragán Sound System features: Live performances by invited guests Rogeilo Sosa, Carmina Escobar and Andres Solis who remixed the archive source; an Open Music Archive DJ set of public tracks from the collection with special remix recordings contributed by guest music producers; plus a preview of the artists forthcoming film shot at Casa Barragán.

@@ Line 16: / Line 16: @@
 ''Open Music Archive has been invited by [http://desitio.net/ de_sitio] to develop a research and production residency that takes as a departure point, the music archive of [http://www.casaluisbarragan.org/ Casa Estudio Luis Barragán]. Part funded by [http://www.miriad.mmu.ac.uk/ MIRIAD].
 ''
-Open Music Archive delve into the personal archive of Mexican architect [http://en.wikipedia.org/wiki/Luis_Barrag%C3%A1n Luis Barragán] (1902-1988)and explore the architect’s record collection, housed in his former private residence. Barragán, well known for his devotion to the practice of solitude, clearly found refuge in music. Record players and speaker systems are installed in almost every room in his house (including the garden) and the entire house operates as a kind of playback system.
+Open Music Archive delve into the personal archive of Mexican architect [http://en.wikipedia.org/wiki/Luis_Barrag%C3%A1n Luis Barragán] (1902-1988)and explore the architect’s record collection, housed in his former private residence. Barragán, well known for his devotion to the practice of solitude, clearly sought refuge in music. Record players and speaker systems are installed in almost every room in his house (including the garden) and the entire house operates as a kind of playback system.
 Through their research at Casa Barragán, artists Eileen Simpson and Ben White have explored the legal terrain of the music in Barragán’s record collection – particularly in relation to the complex web of propriety rights locked within the recordings. At the present time Mexico currently boasts the most restrictive copyright law worldwide, with legal revisions in 1994 and 2003 extending copyright in recorded sound to 100 years from both the date of recording and the death of the author. The artists gleaned material from the collection that achieved the status ‘copyright-expired’ before the legal changes, in an attempt to extract public domain music and audio fragments from vinyl and shellac 78s.
-Barragán Sound System is a live event using public archive recordings as source material, with guest producers invited to process and remix through short live performances. event, which takes place during the week of Día de los Muertos, brings to life works, with a legal status identified primarily through the date of the death of the author. Barragán Sound System features: Live performances by invited guests Rogeilo Sosa, Carmina Escobar and Andres Solis who remixed the archive source; an Open Music Archive DJ set of public tracks from the collection with special remix recordings contributed by guest music producers; plus a preview of the artists forthcoming film shot at Casa Barragán.
+Barragán Sound System is a live event using public archive recordings as source material, with guest producers invited to process and remix through short live performances. The event, which takes place during the week of Día de los Muertos, brings to life works, with a legal status identified primarily through the date of the death of the author. Barragán Sound System features: Live performances by invited guests Rogeilo Sosa, Carmina Escobar and Andres Solis who remixed the archive source; an Open Music Archive DJ set of public tracks from the collection with special remix recordings contributed by guest music producers; plus a preview of the artists forthcoming film shot at Casa Barragán.
 == Images ==

@@ Line 14: / Line 14: @@
 == Background ==
-Open Music Archive has been invited by [http://desitio.net/ de_sitio] to develop a research and production residency that takes as a departure point, the music archive of [http://www.casaluisbarragan.org/ Casa Estudio Luis Barragán]. Part funded by [http://www.miriad.mmu.ac.uk/ MIRIAD].
+''Open Music Archive has been invited by [http://desitio.net/ de_sitio] to develop a research and production residency that takes as a departure point, the music archive of [http://www.casaluisbarragan.org/ Casa Estudio Luis Barragán]. Part funded by [http://www.miriad.mmu.ac.uk/ MIRIAD].
-Delving into the personal archive of Mexican architect [http://en.wikipedia.org/wiki/Luis_Barrag%C3%A1n Luis Barragán] (1902-1988), Open Music Archive explore the architect’s record collection, housed in his former private residence. Barragán, well known for his devotion to the practice of solitude, clearly found refuge in music. Record players and speaker systems are installed in almost every room in his house (including the garden) and the entire house operates as a kind of playback system.
+Through their research at Casa Barragán, artists Eileen Simpson and Ben White have explored the legal terrain of the music in Barragán’s record collection – particularly in relation to the complex web of propriety rights locked within the recordings. At the present time Mexico currently boasts the most restrictive copyright law worldwide, with legal revisions in 1994 and 2003 extending copyright in recorded sound to 100 years from both the date of recording and the death of the author. The artists gleaned material from the collection that achieved the status ‘copyright-expired’ before the legal changes, in an attempt to extract public domain music and audio fragments from vinyl and shellac 78s.
 Barragán Sound System is a live event using public archive recordings as source material, with guest producers invited to process and remix through short live performances. event, which takes place during the week of Día de los Muertos, brings to life works, with a legal status identified primarily through the date of the death of the author. Barragán Sound System features: Live performances by invited guests Rogeilo Sosa, Carmina Escobar and Andres Solis who remixed the archive source; an Open Music Archive DJ set of public tracks from the collection with special remix recordings contributed by guest music producers; plus a preview of the artists forthcoming film shot at Casa Barragán.

@@ Line 16: / Line 16: @@
 Open Music Archive has been invited by [http://desitio.net/ de_sitio] to develop a research and production residency that takes as a departure point, the music archive of [http://www.casaluisbarragan.org/ Casa Estudio Luis Barragán]. Part funded by [http://www.miriad.mmu.ac.uk/ MIRIAD].
-Delving into the personal archive of Mexican architect [http://en.wikipedia.org/wiki/Luis_Barrag%C3%A1n Luis Barragán] (1902-1988), the artists explore the architect’s record collection, housed in his former private residence. Barragán, well known for his devotion to the practice of solitude, clearly found refuge in music. Record players and speaker systems are installed in almost every room in his house (including the garden) and the entire house operates as a kind of playback system.
+Delving into the personal archive of Mexican architect [http://en.wikipedia.org/wiki/Luis_Barrag%C3%A1n Luis Barragán] (1902-1988), Open Music Archive explore the architect’s record collection, housed in his former private residence. Barragán, well known for his devotion to the practice of solitude, clearly found refuge in music. Record players and speaker systems are installed in almost every room in his house (including the garden) and the entire house operates as a kind of playback system.
 Through their research at Casa Barragán, the artists have explored the legal terrain of the music in Barragán’s record collection – particularly in relation to the complex web of propriety rights locked within the recordings. At the present time Mexico currently boasts the most restrictive copyright law worldwide, with legal revisions in 1994 and 2003 extending copyright in recorded sound to 100 years from both the date of recording and the death of the author. The artists gleaned material from the collection that achieved the status ‘copyright-expired’ before the legal changes, in an attempt to extract public domain music and audio fragments from vinyl and shellac 78s.

@@ Line 7: / Line 7: @@
 Tuesday 30 October, 2012<br/>
 :30pm – 10pm<br/>
-Casa Luis Barragán<br/>
+[http://www.casaluisbarragan.org/ Casa Luis Barragán]<br/>
 General Francisco Ramírez 17<br/>
 Colonia Ampliación Daniel Garza<br/>

@@ Line 3: / Line 3: @@
 An Open Music Archive event
-with Rogelio Sosa, [http://www.carminaescobar.com Carmina Escobar] and Andrés Solís
+with [http://www.rogeliososa.info/ Rogelio Sosa], [http://www.carminaescobar.com Carmina Escobar] and Andrés Solís
 Tuesday 30 October, 2012<br/>

@@ Line 58: / Line 58: @@
 == Preamble ==
-[[Barragán Sound System Preamble]] ''(english)''
+[[Barragán Sound System Preamble|Preamble]] ''(english)''
-[[Barragán Sound System Introducción]] ''(español)''
+[[Barragán Sound System Introducción|Introducción]] ''(español)''
 == Acknowledgments ==