Everything I Have Is Yours - Revision history

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2020-04-14T11:25:07Z

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2020-04-14T11:24:53Z

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2020-04-09T15:17:16Z

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2020-04-09T14:51:20Z

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2020-04-09T14:48:59Z

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2020-04-09T14:45:23Z

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Projects at 14:43, 9 April 2020

2020-04-09T14:43:50Z

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2020-04-09T14:38:29Z

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 == Background ==
-As with previous Open Music Archive projects, Everything I Have Is Yours brings people directly into the creative nucleus of the work. Recollecting a formative moment in their lives, the film project encourages a diverse range of musicians based in Manchester and now in their 70s and 80s, to reconnect with the music of their youth and play together. Collective acts of live performance interact with digital technology to recall archive sounds from the musicians’ teenage pasts.
+As with previous Open Music Archive projects, ''Everything I Have Is Yours'' brings people directly into the creative nucleus of the work. Recollecting a formative moment in their lives, the film project encourages a diverse range of musicians based in Manchester and now in their 70s and 80s, to reconnect with the music of their youth and play together. Collective acts of live performance interact with digital technology to recall archive sounds from the musicians’ teenage pasts.
 Shot in a space that operates somewhere between a recording studio, live venue and practice room, the camera continuously tracks through the groups of musicians brought together for the project. This looping camera move mirrors looped samples worked around by the assembled players. The samples are from 1950s and 1960s shellac and vinyl chart hit records – each record, on playback, conjuring particular sonic qualities from the era. Copyright-expired elements of the original records are separated out, through an algorithmic process, to enable collective future sharing.

@@ Line 1: / Line 1: @@
 == Background ==
-''Everything I Have Is Yours'' is an ambitious film and sound work by Eileen Simpson and Ben White (Open Music Archive) that looks back to the first decade of the UK pop charts (1952-62). Working with a group of older musicians – many of whom are the ‘original teenagers’ of the Greater Manchester music scene, now in their 70s and 80s  – this film focuses on this diverse group as they re-engage with public-domain samples from the formative era of the ‘birth of pop’, and incorporate these timeless sounds into new musical creations.
+As with previous Open Music Archive projects, Everything I Have Is Yours brings people directly into the creative nucleus of the work. Recollecting a formative moment in their lives, the film project encourages a diverse range of musicians based in Manchester and now in their 70s and 80s, to reconnect with the music of their youth and play together. Collective acts of live performance interact with digital technology to recall archive sounds from the musicians’ teenage pasts.
-When the musicians play, they individually and collectively interact with digital technology, recalling archive sounds ripped from 1950s and early 1960s shellac and vinyl chart hits. Copyright-controlled elements of the original records are separated out and copyright-expired samples are released through an algorithmic process to enable collective use for the project and for future sharing.
+Shot in a space that operates somewhere between a recording studio, live venue and practice room, the camera continuously tracks through the groups of musicians brought together for the project. This looping camera move mirrors looped samples worked around by the assembled players. The samples are from 1950s and 1960s shellac and vinyl chart hit records – each record, on playback, conjuring particular sonic qualities from the era. Copyright-expired elements of the original records are separated out, through an algorithmic process, to enable collective future sharing.
-What results is a vivid sonic conversation, an intergenerational call and response that traverses the private, personal and public.
+Referencing the history of sample culture, which saw musicians and producers routinely sample from commercial hit favourites from previous generations, the film is a vivid sonic conversation, an intergenerational call and response that traverses the private, personal and public.
 == Photos ==

@@ Line 147: / Line 147: @@
 '''The artists would like to thank the following individuals and organisations who supported the production of the film:'''
-Steven Bode, Susanna Chisholm and all at FVU Lindsay Taylor, and all at University of Salford Helen Wewiora, and all at Castlefield Gallery
+Steven Bode, Susanna Chisholm and all at FVU<br/>
 University of Salford, TV Studios<br/>

@@ Line 104: / Line 104: @@
 '''Grip'''<br/>
-Rick Grif ths Jon Head
+Rick Griffiths<br/>
 '''Gaffer'''<br/>
-Mark Rickitts Dan Tunstall
+Mark Rickitts<br/>
 '''Lighting Technician'''<br/>
@@ Line 113: / Line 115: @@
 '''Sound Enginee'''r<br/>
-Lee Aston Brendan Williams
+Lee Aston<br/>
 '''Stylist'''<br/>
@@ Line 119: / Line 122: @@
 '''On-set stylist'''<br/>
-Lily Austin Lou Hall
+Lily Austin<br/>
 '''Hair & Make-Up'''<br/>
@@ Line 125: / Line 129: @@
 '''Production Assistants'''<br/>
-Adam Douglas Hannah Jupe Daniel Newport Joseph Preston
+Adam Douglas<br/>
 '''Sound Mix'''<br/>
-Lee Aston Brendan Williams Low Four Studios
+Lee Aston<br/>
 '''Additional VFX'''<br/>

@@ Line 61: / Line 61: @@
 Eileen Simpson & Ben White (Open Music Archive)
-Chas Baker – vocals<br/>
+'''Chas Baker''' – vocals<br/>
-Norman Beaker – guitar<br/>
+'''Norman Beaker''' – guitar<br/>
-Max Beesley – drums<br/>
+'''Max Beesley''' – drums<br/>
-Roger Browne – piano<br/>
+'''Roger Browne''' – piano<br/>
-Stewart Butler – baritone sax<br/>
+'''Stewart Butler''' – baritone sax<br/>
-Tony Chess – drums and djembe Maureen Donahue – vocals<br/>
+'''Tony Chess''' – drums and djembe Maureen Donahue – vocals<br/>
-Mike Farmer – tenor sax<br/>
+'''Mike Farmer''' – tenor sax<br/>
-Peter Fox – guitar and vocals<br/>
+'''Peter Fox''' – guitar and vocals<br/>
-Bo Lee – bass guitar<br/>
+'''Bo Lee''' – bass guitar<br/>
-Jill MacDonald – vocals<br/>
+'''Jill MacDonald''' – vocals<br/>
-Jean Martin – vocals<br/>
+'''Jean Martin''' – vocals<br/>
-Paul Medina – double bass and trombone Bruce Mitchell – drums<br/>
+'''Paul Medina''' – double bass and trombone Bruce Mitchell – drums<br/>
-Richard Piggo  – guitar<br/>
+'''Richard Piggott'''  – guitar<br/>
-Roy Rigby – guitar
+'''Roy Rigby''' – guitar
 '''Commissioners / Executive Producers'''<br/>

@@ Line 58: / Line 58: @@
 == Credits ==
-A Film by<br/>
+'''A film by'''<br/>
 Eileen Simpson & Ben White (Open Music Archive)
@@ Line 76: / Line 76: @@
 Roy Rigby – guitar
-Commissioners / Executive Producers<br/>
+'''Commissioners / Executive Producers'''<br/>
 Film and Video Umbrella University of Salford Art Collection Castle eld Gallery
-Producer<br/>
+'''Producer'''<br/>
 Laura Shacham
-Assistant Producer<br/>
+'''Assistant Producer'''<br/>
 Polly Wright
-Casting Producer<br/>
+'''Casting Producer'''<br/>
 Claire Bleasdale
-Additional Casting<br/>
+'''Additional Casting'''<br/>
 Open Music Archive Laura Shacham Polly Wright
-Director of Photography<br/>
+'''Director of Photography'''<br/>
 Jamie Kennerley
-st Assistant Camera / Focus Puller<br/>
+'''1st Assistant Camera / Focus Puller'''<br/>
 Sean Beasley
-nd Assistant Camera<br/>
+'''2nd Assistant Camera'''<br/>
 Josh Haigherty
-Additional Cinematography<br/>
+'''Additional Cinematography'''<br/>
 Jonas Mortensen
-Grip<br/>
+'''Grip'''<br/>
 Rick Grif ths Jon Head
-Gaffer<br/>
+'''Gaffer'''<br/>
 Mark Rickitts Dan Tunstall
-Lighting Technician<br/>
+'''Lighting Technician'''<br/>
 Simeon Ogden · The Stoller Hall
-Sound Engineer<br/>
+'''Sound Enginee'''r<br/>
 Lee Aston Brendan Williams
-Stylist<br/>
+'''Stylist'''<br/>
 Ianthe Wright
-On-set stylist<br/>
+'''On-set stylist'''<br/>
 Lily Austin Lou Hall
-Hair & Make-Up<br/>
+'''Hair & Make-Up'''<br/>
 Katy Brody
-Production Assistants<br/>
+'''Production Assistants'''<br/>
 Adam Douglas Hannah Jupe Daniel Newport Joseph Preston
-Sound Mix<br/>
+'''Sound Mix'''<br/>
 Lee Aston Brendan Williams Low Four Studios
-Additional VFX<br/>
+'''Additional VFX'''<br/>
 Matt Wilmshurst
-Colourist<br/>
+'''Colourist'''<br/>
 Max Ferguson-Hook · Time Based Arts
-The artists would like to thank the following individuals and organisations who supported the production of the film:
+'''The artists would like to thank the following individuals and organisations who supported the production of the film:'''
 Steven Bode, Susanna Chisholm and all at FVU Lindsay Taylor, and all at University of Salford Helen Wewiora, and all at Castlefield Gallery

@@ Line 60: / Line 60: @@
 A Film by<br/>
 Eileen Simpson & Ben White (Open Music Archive)
-—
 Chas Baker – vocals<br/>
 Norman Beaker – guitar<br/>
@@ Line 143: / Line 143: @@
 Manchester School of Art at Manchester Metropolitan University
-John Ashbrook<br/>
+John Ashbrook, Big Fish Rentals, Astrid Bin, Richard Bradbury, Linda Brogan, Melissa Burnand · Jam Street Cafe Simon Chaplin, Barry Daykin, Mel Dean, Drop City Lighting, Fac365, Gillian Fox, Timothy France, Anthony Gannon · All+, Calypso George, Bob Gill, Jonathan Green · Unity Radio, Josh King, John Mepham, Tamsin Middleton, Alex Morley, Niamos Arts Centre, NoDrama, Colin O’Toole, Dan Parrott and Brendan Williams · Low Four Studio, Nancy Porter, Derek Quinn, Pauline Renshaw, Trevor Roots, Teresa Simpson, Denise Southworth · Legacy FM, Liz Starkie, The Stoller Hall, Ashley Tidball, Helen White, Matthew White

←Older revision		Revision as of 14:43, 9 April 2020
Line 54:		Line 54:

	[https://ia601503.us.archive.org/21/items/everythingihaveisyoursthecommissionedtexts/EIHIY_The_Commissioned_Texts_2019.pdf Read Texts]		[https://ia601503.us.archive.org/21/items/everythingihaveisyoursthecommissionedtexts/EIHIY_The_Commissioned_Texts_2019.pdf Read Texts]
		+
		+
		+	== Credits ==
		+
		+	A Film by<br/>
		+	Eileen Simpson & Ben White (Open Music Archive)
		+	—
		+	Chas Baker – vocals<br/>
		+	Norman Beaker – guitar<br/>
		+	Max Beesley – drums<br/>
		+	Roger Browne – piano<br/>
		+	Stewart Butler – baritone sax<br/>
		+	Tony Chess – drums and djembe Maureen Donahue – vocals<br/>
		+	Mike Farmer – tenor sax<br/>
		+	Peter Fox – guitar and vocals<br/>
		+	Bo Lee – bass guitar<br/>
		+	Jill MacDonald – vocals<br/>
		+	Jean Martin – vocals<br/>
		+	Paul Medina – double bass and trombone Bruce Mitchell – drums<br/>
		+	Richard Piggo – guitar<br/>
		+	Roy Rigby – guitar
		+
		+	Commissioners / Executive Producers<br/>
		+	Film and Video Umbrella University of Salford Art Collection Castle eld Gallery
		+
		+	Producer<br/>
		+	Laura Shacham
		+
		+	Assistant Producer<br/>
		+	Polly Wright
		+
		+	Casting Producer<br/>
		+	Claire Bleasdale
		+
		+	Additional Casting<br/>
		+	Open Music Archive Laura Shacham Polly Wright
		+
		+	Director of Photography<br/>
		+	Jamie Kennerley
		+
		+	1st Assistant Camera / Focus Puller<br/>
		+	Sean Beasley
		+
		+	2nd Assistant Camera<br/>
		+	Josh Haigherty
		+
		+	Additional Cinematography<br/>
		+	Jonas Mortensen
		+
		+	Grip<br/>
		+	Rick Grif ths Jon Head
		+
		+	Gaffer<br/>
		+	Mark Rickitts Dan Tunstall
		+
		+	Lighting Technician<br/>
		+	Simeon Ogden · The Stoller Hall
		+
		+	Sound Engineer<br/>
		+	Lee Aston Brendan Williams
		+
		+	Stylist<br/>
		+	Ianthe Wright
		+
		+	On-set stylist<br/>
		+	Lily Austin Lou Hall
		+
		+	Hair & Make-Up<br/>
		+	Katy Brody
		+
		+	Production Assistants<br/>
		+	Adam Douglas Hannah Jupe Daniel Newport Joseph Preston
		+
		+	Sound Mix<br/>
		+	Lee Aston Brendan Williams Low Four Studios
		+
		+	Additional VFX<br/>
		+	Matt Wilmshurst
		+
		+	Colourist<br/>
		+	Max Ferguson-Hook · Time Based Arts
		+
		+	The artists would like to thank the following individuals and organisations who supported the production of the film:
		+	Steven Bode, Susanna Chisholm and all at FVU Lindsay Taylor, and all at University of Salford Helen Wewiora, and all at Castlefield Gallery
		+
		+	University of Salford, TV Studios<br/>
		+	Queen Mary University of London <br/>
		+	Manchester School of Art at Manchester Metropolitan University
		+
		+	John Ashbrook<br/>
		+	Big Fish Rentals<br/>
		+	Astrid Bin<br/>
		+	Richard Bradbury<br/>
		+	Linda Brogan<br/>
		+	Melissa Burnand · Jam Street Cafe Simon Chaplin<br/>
		+	Barry Daykin<br/>
		+	Mel Dean<br/>
		+	Drop City Lighting<br/>
		+	Fac365<br/>
		+	Gillian Fox<br/>
		+	Timothy France<br/>
		+	Anthony Gannon · All+<br/>
		+	Calypso George<br/>
		+	Bob Gill<br/>
		+	Jonathan Green · Unity Radio<br/>
		+	Josh King<br/>
		+	John Mepham<br/>
		+	Tamsin Middleton<br/>
		+	Alex Morley<br/>
		+	Niamos Arts Centre<br/>
		+	NoDrama<br/>
		+	Colin O’Toole<br/>
		+	Dan Parrott and Brendan Williams · Low Four Studio<br/>
		+	Nancy Porter<br/>
		+	Derek Quinn<br/>
		+	Pauline Renshaw<br/>
		+	Trevor Roots<br/>
		+	Teresa Simpson<br/>
		+	Denise Southworth · Legacy FM<br/>
		+	Liz Starkie<br/>
		+	The Stoller Hall<br/>
		+	Ashley Tidball<br/>
		+	Helen White<br/>
		+	Matthew White