Main Page - Revision history

Projects: /* Once Heard Before - Whitechapel Gallery */

2020-04-14T15:15:41Z

Once Heard Before - Whitechapel Gallery

Projects at 15:14, 14 April 2020

2020-04-14T15:14:45Z

Projects: /* Once Heard Before - Whitechapel Gallery */

2020-04-14T15:13:49Z

Once Heard Before - Whitechapel Gallery

Projects: /* Once Heard Before - Whitechapel Gallery */

2020-04-14T15:13:27Z

Once Heard Before - Whitechapel Gallery

Projects: /* Once Heard Before - Whitechapel Gallery */

2020-04-14T15:12:25Z

Once Heard Before - Whitechapel Gallery

Projects at 15:03, 14 April 2020

2020-04-14T15:03:20Z

Projects: /* Everything I Have Is Yours - Salford Museum and Gallery */

2020-04-14T11:37:07Z

Everything I Have Is Yours - Salford Museum and Gallery

Projects: /* Everything I Have Is Yours - Salford Museum and Gallery */

2020-04-14T11:34:37Z

Everything I Have Is Yours - Salford Museum and Gallery

Projects: /* Everything I Have Is Yours - Salford Museum and Gallery */

2020-04-14T11:34:08Z

Everything I Have Is Yours - Salford Museum and Gallery

Projects: /* Everything I Have Is Yours - Salford Museum and Gallery */

2020-04-14T11:31:24Z

Everything I Have Is Yours - Salford Museum and Gallery

@@ Line 21: / Line 21: @@
 '''27 August 2019 – 5 January 2020'''
-''Once Heard Before'' has been developed with a group of young beat-makers
+''Once Heard Before'' has been developed with a group of young beat-makers and MCs from east London, who mutate fragments of sounds and lyrics ripped from top ten records from the 1950s and 1960s. Their sound work features on a series of lathe-cut records, presented alongside a video of their rap performances.
-Filmed inside an anechoic chamber and composed of sounds gleaned
+Filmed inside an anechoic chamber and composed of sounds gleaned from chart hit records from 1962, ''Auditory Learning'' focuses on the materiality of voice. Due to copyright laws, only auditory sound has been used and juxtaposed with improvised vocalisations. ''Everything I Have Is Yours'' brings together musicians connected to the Manchester music scene, now in their 70s and 80s, inviting them to respond to samples that have been extracted from UK chart hits of their teenage years.
-In these works, source material morphs into new creative outputs: artists
+In these works, source material morphs into new creative outputs: artists and performers imagine a new music vocabulary, across generations and technologies, towards an archive of future sounds.
 |}

@@ Line 28: / Line 28: @@
 Filmed inside an anechoic chamber and composed of sounds gleaned
-from chart hit records from 1962, [[Auditory Learning]] focuses on the
+from chart hit records from 1962, ''Auditory Learning'' focuses on the
 materiality of voice. Due to copyright laws, only auditory sound has been
-used and juxtaposed with improvised vocalisations. [[Everything I Have
+used and juxtaposed with improvised vocalisations. ''Everything I Have
-Is Yours]] brings together musicians connected to the Manchester music
+Is Yours'' brings together musicians connected to the Manchester music
 scene, now in their 70s and 80s, inviting them to respond to samples that
 have been extracted from UK chart hits of their teenage years.

@@ Line 28: / Line 28: @@
 Filmed inside an anechoic chamber and composed of sounds gleaned
-from chart hit records from 1962, [Auditory Learning] focuses on the
+from chart hit records from 1962, [[Auditory Learning]] focuses on the
 materiality of voice. Due to copyright laws, only auditory sound has been
-used and juxtaposed with improvised vocalisations. [Everything I Have
+used and juxtaposed with improvised vocalisations. [[Everything I Have
-Is Yours] brings together musicians connected to the Manchester music
+Is Yours]] brings together musicians connected to the Manchester music
 scene, now in their 70s and 80s, inviting them to respond to samples that
 have been extracted from UK chart hits of their teenage years.

@@ Line 28: / Line 28: @@
 Filmed inside an anechoic chamber and composed of sounds gleaned
-from chart hit records from 1962, Auditory Learning focuses on the
+from chart hit records from 1962, [Auditory Learning] focuses on the
 materiality of voice. Due to copyright laws, only auditory sound has been
-used and juxtaposed with improvised vocalisations. Everything I Have
+used and juxtaposed with improvised vocalisations. [Everything I Have
-Is Yours brings together musicians connected to the Manchester music
+Is Yours] brings together musicians connected to the Manchester music
 scene, now in their 70s and 80s, inviting them to respond to samples that
 have been extracted from UK chart hits of their teenage years.

@@ Line 7: / Line 7: @@
 |width="310px"|
-[[File:IMG 0795-Small.jpg|300px]]
+[[File:Whitechapel Gallery Eileen Simpson & Ben White (Low Res)-9.jpg|300px]]
+|

←Older revision		Revision as of 15:03, 14 April 2020
Line 1:		Line 1:
	'''[http://www.openmusicarchive.org Open Music Archive]''' initiated by artists [[Eileen_Simpson_and_Ben_White_-_biography\|Eileen Simpson and Ben White]], is a collaborative project to explore the potentials of public domain archive material.		'''[http://www.openmusicarchive.org Open Music Archive]''' initiated by artists [[Eileen_Simpson_and_Ben_White_-_biography\|Eileen Simpson and Ben White]], is a collaborative project to explore the potentials of public domain archive material.
		+
		+	== Once Heard Before - Whitechapel Gallery ==
		+
		+	{\|cellpadding="0",
		+	\|- valign="top"
		+	\|width="310px"\|
		+
		+	[[File:IMG 0795-Small.jpg\|300px]]
		+
		+	\|
		+
		+	'''Commission'''<br/>
		+	'''Eileen Simpson and Ben White (Open Music Archive): Once Heard Before'''
		+
		+	'''Whitechapel Gallery'''<br/>
		+	'''77-82 Whitechapel High St'''<br/>
		+	'''London'''<br/>
		+	'''E1 7QX'''
		+
		+	'''27 August 2019 – 5 January 2020'''
		+
		+	''Once Heard Before'' has been developed with a group of young beat-makers
		+	and MCs from east London, who mutate fragments of sounds and lyrics
		+	ripped from top ten records from the 1950s and 1960s. Their sound work
		+	features on a series of lathe-cut records, presented alongside a video of
		+	their rap performances.
		+
		+	Filmed inside an anechoic chamber and composed of sounds gleaned
		+	from chart hit records from 1962, Auditory Learning focuses on the
		+	materiality of voice. Due to copyright laws, only auditory sound has been
		+	used and juxtaposed with improvised vocalisations. Everything I Have
		+	Is Yours brings together musicians connected to the Manchester music
		+	scene, now in their 70s and 80s, inviting them to respond to samples that
		+	have been extracted from UK chart hits of their teenage years.
		+
		+	In these works, source material morphs into new creative outputs: artists
		+	and performers imagine a new music vocabulary, across generations and
		+	technologies, towards an archive of future sounds.
		+
		+	\|}

	== Everything I Have Is Yours - Salford Museum and Gallery ==		== Everything I Have Is Yours - Salford Museum and Gallery ==

@@ Line 13: / Line 13: @@
+|
-Everything I Have Is Yours
+'''Everything I Have Is Yours'''
 '''Salford Museum and Gallery'''<br/>

@@ Line 29: / Line 29: @@
 Referencing the history of sample culture, which saw musicians and producers routinely sample from commercial hit favourites from previous generations, the film is a vivid sonic conversation, an intergenerational call and response that traverses the private, personal and public.
-[[Read more|Everything_I_Have_Is_Yours]]
+[[Everything_I_Have_Is_Yours|Read more]]
 |}

@@ Line 15: / Line 15: @@
 Everything I Have Is Yours
-July 4th - November 3rd 2019
+'''Salford Museum and Gallery'''<br/>
 As with previous Open Music Archive projects, ''Everything I Have Is Yours'' brings people directly into the creative nucleus of the work. Recollecting a formative moment in their lives, the film project encourages a diverse range of musicians based in Manchester and now in their 70s and 80s, to reconnect with the music of their youth and play together. Collective acts of live performance interact with digital technology to recall archive sounds from the musicians’ teenage pasts.
@@ Line 22: / Line 28: @@
 Referencing the history of sample culture, which saw musicians and producers routinely sample from commercial hit favourites from previous generations, the film is a vivid sonic conversation, an intergenerational call and response that traverses the private, personal and public.
 |}

←Older revision		Revision as of 11:31, 14 April 2020
Line 12:		Line 12:

	\|		\|
		+
		+	Everything I Have Is Yours
		+
		+	July 4th - November 3rd 2019

	As with previous Open Music Archive projects, ''Everything I Have Is Yours'' brings people directly into the creative nucleus of the work. Recollecting a formative moment in their lives, the film project encourages a diverse range of musicians based in Manchester and now in their 70s and 80s, to reconnect with the music of their youth and play together. Collective acts of live performance interact with digital technology to recall archive sounds from the musicians’ teenage pasts.		As with previous Open Music Archive projects, ''Everything I Have Is Yours'' brings people directly into the creative nucleus of the work. Recollecting a formative moment in their lives, the film project encourages a diverse range of musicians based in Manchester and now in their 70s and 80s, to reconnect with the music of their youth and play together. Collective acts of live performance interact with digital technology to recall archive sounds from the musicians’ teenage pasts.