Difference between revisions of "Future Projects"
| Line 12: | Line 12: | ||
[[Image:Auditory-learning.png|350px]] | [[Image:Auditory-learning.png|350px]] | ||
| − | We're currently developing a film project with support from FLAMIN and Arts Council England | + | We're currently developing a film project with support from [http://flamin.filmlondon.org.uk/projects/projectscurrent/flamin_productions/flaminprods2010shortlist FLAMIN and Arts Council England] |
Auditory Learning transposes tactics borrowed from commercial music video production and musical cinema to reanimate out-of-copyright music recordings (1920s to 1940s jazz, blues, folk, and music hall). Through re-enactment, lip-synching, and choreography, the film weaves together musical vignettes excavated from public domain recordings. | Auditory Learning transposes tactics borrowed from commercial music video production and musical cinema to reanimate out-of-copyright music recordings (1920s to 1940s jazz, blues, folk, and music hall). Through re-enactment, lip-synching, and choreography, the film weaves together musical vignettes excavated from public domain recordings. | ||
Revision as of 16:36, 1 February 2011
Tempo Documentary Festival
We have been invited to talk about and screen Struggle in Jerash at:
Tempo Documentary Festival
Stockholm, March 8-13 2011
Auditory Learning (working title)
We're currently developing a film project with support from FLAMIN and Arts Council England
Auditory Learning transposes tactics borrowed from commercial music video production and musical cinema to reanimate out-of-copyright music recordings (1920s to 1940s jazz, blues, folk, and music hall). Through re-enactment, lip-synching, and choreography, the film weaves together musical vignettes excavated from public domain recordings.
This hauntological experiment explores the politics of the beginnings of the recording industry at a time when emerging models of peer-to-peer distribution and collaborative production are urgently problematizing established notions around the authorship, ownership and distribution of culture.
The project will announce the release of newly copyright-expired work into the public domain and will be copyleft licensed – so, like its public domain sources remains free for distribution and reuse in the future.