|
|
| (170 intermediate revisions by the same user not shown) |
| Line 1: |
Line 1: |
| − | == Catalogue screening at SLG == | + | == Play it Again! Use it Together! == |
| | | | |
| − | '''Catalogue presents Film screening and Tatiana Trouvé in conversation'''
| + | [[File:XDSCF3641.jpg]] |
| | | | |
| − | 6 October 2010, 7pm, Free
| + | We're currently developing a project for exhibition at Victoria Gallery and Museum. |
| | | | |
| − | To celebrate its first anniversary, Franco-British online contemporary art magazine [http://www.cataloguemagazine.com/ Catalogue] presents a special evening comprising a screening of films by artists featured in the magazine during its first year of publication, as well as a rare opportunity for a limited audience to hear Tatiana Trouvé in conversation with an invited speaker.
| + | More soon ... |
| − | | |
| − | 7pm: Tatiana Trouvé in conversation Booking essential on 020 7703 6120
| |
| − | | |
| − | 8.30pm: Catalogue artists’ film screening Ivan Argote, Neil Beloufa, Julien Crépieux, Colin Guillemet, Raphaël Julliard Barbara Kruger, Charlotte Moth, Open Music Archive, Hiraki Sawa
| |
| − | | |
| − | More details on the event will be sent soon. | |
| − | | |
| − | The event is supported by Ricard
| |
| − | | |
| − | www.cataloguemagazine.com
| |
| − | www.southlondongallery.org
| |
| − | | |
| − | | |
| − | == Auditory Learning (working title) ==
| |
| − | | |
| − | We're currently developing a film project:
| |
| − | | |
| − | Auditory Learning transposes tactics borrowed from commercial music video production and musical cinema to reanimate out-of-copyright music recordings (1920s to 1940s jazz, blues, folk, and music hall). Through re-enactment, lip-synching, and choreography, the film weaves together musical vignettes with cut-and-paste dialogue excavated from public transcripts.
| |
| − | | |
| − | This hauntological experiment explores the politics of the beginnings of the recording industry at a time when emerging models of peer-to-peer distribution and collaborative production are urgently problematizing established notions around the authorship, ownership and distribution of culture.
| |
| − | | |
| − | The project will announce the release of newly copyright-expired work into the public domain and will be copyleft licensed – so, like its public domain sources remains free for distribution and reuse in the future.
| |